Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Should the Tent Be Burning Like That? By Bill Heavey

It's Only Slow Food Until You Try to Eat It By Bill Heavey

If You Didn't Bring Jerky, What Did I Just Eat? By Bill Heavey
From the beloved Field & Stream everyman, a collection of hilarious, insightful, and moving pieces about a life lived outdoors

You're Not Lost if You Can Still See the Truck
The Further Adventures of America's Everyman Outdoorsman
By Bill Heavey
Grove Press
978-0-8021-2432-6 • $16.00 • Paperback • Dec. 2015
Sports
“Bill Heavey is one of the best magazine writers in America. No, he doesn’t work for the New Yorker. He writes for Field & Stream, the popular journal for hunters and fishermen . . . Not since Jack London’s stories has the stark danger of freezing lived so largely on the page.”—Wall Street Journal


Writing for magazines and newspapers for more than thirty years, including over a decade at Field & Stream, Bill Heavey has become famous as America’s everyman outdoorsman, unafraid to draw attention to his many and varied failures—from sporting French lavender deodorant to scaring a UPS man half to death while bowhunting in his front yard.

Heavey’s 2007 collection If You Didn’t Bring Jerky, What Did I Just Eat?, copublished with Field & Stream, the leading American outdoors magazine, was a resounding success that went into multiple hardcover printings. You’re Not Lost if You Can Still See the Truck, again copublished with Field & Stream, collects more of Heavey’s top pieces from the magazine as well as the best of his writing from the Washington Post, Outside, and elsewhere. In this far-ranging read, Heavey’s adventures include nearly freezing to death in Eastern Alaska, hunting ants in the urban jungles of the Washington, D.C., metropolitan area, and reconnecting to cherished memories of his grandfather through an inherited gun collection.

With Heavey’s trademark wit and candor, the collection traces a life lived outdoors through the good, the bad, and the downright hilarious.

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