Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
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This Golfing Life By Michael Bamberger
“Bamberger spends a year learning the individual stories that make up a senior class, weaving them together for a composite portrait that, we hope, will give us a clear vision of a changing America. . . . For most of the students Bamberger introduces to us, it seems likely that the realities of adulthood will never be able to measure up—but Bamberger’s carefully drawn portraits seem strangely optimistic nonetheless. Perhaps, he appears to suggest, students who can construct such a virtual world for themselves are indeed capable of reshaping their own lives to match their dreams.” —Rachel Elson, San Francisco Chronicle
Wonderland
A Year in the Life of an American High School
By Michael Bamberger
Grove Press
978-0-8021-4197-2 • $13.00 • Paperback • Apr. 2005
Popular Culture
From an acclaimed Sports Illustrated journalist, the all-American story of a high school and its larger-than-life prom

Pennsbury High School would be like any other were it not for one thing: its prom. Its spring dance is considered by Reader’s Digest to be one of “America’s best legacies.” Wonderland is the true story of a dance floor and the kids who fill it: a tale of hope, sex, love, and loss. For one year, the students, parents, and teachers of Pennsbury invited Michael Bamberger, a senior writer for Sports Illustrated, into their classrooms, their homes, their parties, and their dreams. He discovered an extraordinary and disparate group of everyday teenagers whose stories were touching, odd, funny, and beautiful.

In Wonderland, lives intersect in unpredictable ways and are never what they appear to be. The star quarterback seems to be perfect as he walks Pennsbury’s hallways, but hides the pain of not knowing where his father is. The senior in the lowcut jeans and the black Corvette doesn’t realize she is idolized by a group of junior boys. A student with cerebral palsy is desperate to learn to tie Eagle Scout knots, despite a useless left hand: his dream is to arrive at the dance in the car from Back to the Future. A young couple want to score the Oscar Mayer Wienermobile for the big night—and a babysitter for their infant son. The patriarch of the prom, a history teacher who has presided over the dance for thirty-three years, secretly wishes after a new life as a novelist and a White House usher. And then there is Bob Costa. He dreams of making his name and bringing glory to his school by convincing John Mayer, whose song “Your Body Is a Wonderland” is an anthem for the students, to perform at the prom.

Wonderland shows that truth really is stranger than fiction, and every bit as moving. It is a portrait of young people in America today—finding their way, struggling with identities, fighting with their parents, falling in love. Moving, heartfelt, and inspiring, Wonderland is a fresh and spirited report from the front lines of American adolescence, where children long for the ritual of a seemingly vanished world and search after what they’ve always wanted: hope, meaning, and something to call their own.
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