Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Winkie offers readers a sort of odd, outrageous delight. A verve and a nostalgia... that it is no crime to indulge.” —The San Francisco Chronicle
Winkie
By Clifford Chase
Grove Press
978-0-8021-4310-5 • $12.00 • Paperback • June 2007
Fiction
“Winkie is a remarkable character, made vibrant and utterly convincing flesh (plush?) under Chase’s masterful hand. This is a hauntingly beautiful, lovely and strange, funny and sly, surreptitiously moving book.” —David Rakoff, author of Don’t Get Too Comfortable

“Winkie is a luminous achievement—a magical, eccentric novel about the subversive imagination, and about the power of anarchic play. I   recommend this book with the utmost enthusiasm and joy.” —Wayne Koestenbaum, author of Jackie Under My Skin and Andy Warhol  

In Cliff Chase’s scathingly funny and surprisingly humane debut novel, the zeitgeist assumes the form of a one-foot-tall ursine Everyman—a mild-mannered teddy bear named Winkie who comes to life and finds himself on the wrong side of America’s war on terror. After suffering decades of neglect from the children who once loved him, Winkie realizes that taking charge of his fate is as simple as knowing that he can do it, and so he hurls himself off the shelf, jumps out the window, and takes to the forest. But just as he is discovering the joys and wonders of mobility, self-determination, even true love, this small brown creature of indeterminate gender gets trapped in the jaws of a society gone rabid with fear and paranoia.

Having come upon the cabin of the mad professor who stole his beloved, Winkie is suddenly surrounded by the FBI, who instantly conclude that he is the evil mastermind behind dozens of terrorist attacks that have been traced to the forest. Terrified and confused, Winkie is brought to trial, where the prosecution attempts to seal the little bear’s fate by calling upon witnesses from the trials of Galileo, Socrates, John Scopes, and Oscar Wilde.

Emotionally gripping and intellectually compelling, Winkie introduces the most memorable protagonist since the Velveteen Rabbit, and—with the help of a lesbian Moslem cleaning woman, a stuttering attorney, and a Lacan-spewing bear cub—brilliantly exposes the cruel absurdities of our age and explores what it means to be human in an increasingly barbaric world.
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