Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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This Is Reggae Music By Lloyd Bradley
Where'd You Get That Funk From?
George Clinton, Black Power, and the Story of P-Funk
By Lloyd Bradley
Canongate U.S.
978-1-84195-591-9 • • •
Music
The first in-depth biography of this hugely influential musician most famous for his creation of infectious funk

Where’d You Get That Funk From? goes beyond the wigs and the boots and through a series of in-depth interviews and sharp cultural analyses that put George Clinton in his proper context. That is, as a radical part of black America’s turbulent 1960s; as being as musically representative of Detroit as Motown; as leading the first soul group to employ circus hands among their roadies; as being able to pull together music as diverse as that of Bach, the Beatles, James Brown, Frank Zappa, the Moonglows, and the Supremes to create P-Funk, which became a cornerstone of West Coast hip-hop.

Clinton’s principal groups, Parliament and Funkadelic, were two of the most dynamic and successful American bands of the ’70s, but their wild shows and badass party sounds represented just one facet of their remarkable leader’s talent. Seminal songs such as “Atomic Dog,” “Flashlight,” “Up for the Down Stroke,” “Give Up the Funk,” and “Bop Gun” became the basis of countless hip-hop hits throughout the next two decades.

Lloyd Bradley’s perceptive and fascinating portrait has been enhanced by his close relationship to Clinton, and the book is peppered with extensive interviews. The significance and singularity of this extraordinary man is superbly reflected in this definitive study.

Praise for This is Reggae Music:

“A celebration of a music and a culture from the grass roots up . . . written with passion, style, and gusto.” —The Independent on Sunday

“An expansive, impassioned history of reggae . . . An exciting and thorough sense of reggae’s originality and perseverance in the face of crooked businessmen, thuggish interlopers, and general apathy from the Jamaican establishment. This will be the standard reference on the subject.” —Kirkus Reviews (starred review)

“With flair, skill, passion and stamina, Bradley fluidly traces Jamaican music’s odyssey from the pure energy of 1950s Kingston's open-air sound system scene to the eruption of homegrown ska. . . . Insider-expert revelations will delight reggae’s many devotees.” —Publishers Weekly

“In a witty and engaging manner, [Bradley] traces the development of the genre from mento to sound- system dances, ska, rock steady, reggae, dub, toasting (the precursor to American rap), and many other offshoots.” —Library Journal (starred review)

“A genuine keeper among reggae books.” —Booklist

“In Lloyd Bradley’s long-awaited history, the ghettos and the ganja are explored alongside
independence and international relations to produce a definitive account. . . . [An] informed analysis and intoxicating aural history.” —GQ (London)

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