Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
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Our Frail Blood By Peter Nathaniel Malae
“A rollercoaster ride inside the haunted house of American multi cultural sin and shame.  Violent and smart and funny.  I am excited by this new writer.”—Sherman Alexie



What We Are
By Peter Nathaniel Malae
Grove Press
978-0-8021-4522-2 • $14.95 • Paperback • Mar. 2011
Fiction

A blazing and authentic new literary voice, Peter Nathaniel Malae—a finalist for the New York Public Library Young Lions Fiction Award— has written a raw and powerful, bullet-fast debut novel that looks at contemporary America through the eyes of one disillusioned son.

What We Are follows twenty-eight-year-old Samoan-American Paul Tusifale as he strives to find his place in a culture that barely acknowledges his existence. Within a landscape of sprawling freeways and dotcom headquarters, where the plight of migrant workers is ever- present, Paul drifts on and off the radar in San Jose, California, fighting to define himself within a system that has no easy or predetermined place for him.

At first Paul tries to live outside society, an unemployed drifter who takes a personal interest in defiantly—even violently—defending those in need. But when life as an urban Robin Hood fails to provide the answers he seeks, Paul takes a chance on the straight-and-narrow:

living in the power structure, getting a job, obeying the law, and seeking to reconnect with his family. Along the way, Paul moves through the lives of sinister old friends, suburban cranksters, and septuagenarian swingers, as he battles to find the wisdom and faith he desperately needs, whether through adhering to tradition or casting it aside.

A dynamic addition to America’s diverse literature of the outsider, What We Are establishes Malae as an energetically gifted writer, whose muscular prose brings to life the pull of a departed father’s homeland, the anger of class divisions, the noise of the evening news, and, in the end, beautifully renders the pathos of the disengaged.

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