Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Elizabeth By Alexander Walker
“This is the best book we have had on Vivien Leigh, the most thoroughly and shrewdly researched, the most acute in its realization that Leigh was an actress who had to find herself in her parts if she was to do well, but who invariably began to destroy herself in the process”—The Boston Sunday Globe
Vivien
The Life of Vivien Leigh
By Alexander Walker
Grove Press
978-0-8021-3259-8 • $17.00 • Paperback • Oct. 1989
Biography
“My birth sign is Scorpio and they eat themselves up and burn themselves out. I swing between happiness and misery. I am part prude and part non-conformist. I say what I think and I don’t pretend and I am prepared to accept the consequences of my actions.”—Vivien Leigh

When Vivien Leigh died in 1967, headlines around the world proclaimed, “Scarlett O’Hara is Dead!” Perhaps more than any of her contemporaries, Vivien Leigh became the very embodiment of the roles she made famous, from Gone With the Wind’s immortal heroine to her harrowing portrayal of Blanche DuBois in A Streetcar Named Desire. Vivien’s beauty, determination, and enormous charisma were her triumph, whether it was a matter of charming George Bernard Shaw in order to become his personal choice for the part of Scarlett—or winning the then-married Laurence Olivier as her husband. Her twenty-years’ partnership with Olivier, both onstage and off, made them the “royal couple” of the theater, and garnered unparalleled critical and popular acclaim.

But the achievement had its darker side, for Vivien became so immersed in her roles that she began to take on their characteristics in real life—often at enormous cost: playing Blanche DuBois actually “tipped her into madness”; and while filming Ship of Fools, she found herself hammering co-star Lee Marvin’s face with very real—and painful—blows of her spiked heel. The public glamour of her fairy tale marriage to Olivier—so desperately important to them both—hid a private nightmare of violence and frequent infidelity. She was consumed by devastating battles against tuberculosis, to which she finally succumbed, and manic-depression, which she sought to keep at bay through a voracious sexual appetite, having affair after affair—sometimes serious, as with Peter Finch, sometimes with whichever taxi driver happened to bring her home.

Based on previously unpublished interviews with her friends, family, and colleagues, as well as with Vivien Leigh herself, Vivien is an extraordinary picture of a unique and complex woman, as willful as she was beautiful, who knew what she wanted—whether the coveted role of Scarlett or that, equally coveted, of Lady Olivier—and got it. With its telling anecdotes, fascinating insights, and unforgettable glimpses into Hollywood’s heyday, it is sure to stand as the definitive portrait of one of the most talented and tormented actresses of all time.

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