Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Neither Snow Nor Rain
Neither Snow nor Rain

“Lively . . .
brisk [and] informative . . .
A spirited look at the business and impact of
delivery mail.”
Kirkus Reviews

“A fast-moving, richly detailed portrait of the U.S. Postal Service—a system far more important to the country than is generally understood.”
—Brad Stone, author of
The Everything Store

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Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Ship of Gold in the Deep Blue Sea By Gary Kinder
“A pioneering work . . . Kinder’s book sparks reflection. And almost screams for more such books, many more.”—Los Angeles Times Book Review
Victim
The Other Side of Murder
By Gary Kinder
Atlantic Monthly Press
978-0-87113-735-7 • $14.00 • Paperback • May 1999
Criminolgy, True Crime
Now a classic of true crime, Victim is a compelling and tragic look at how lives can be changed forever by a random act of violence. During an armed robbery, several hostages were brutally tortured, shot in the head, and left for dead. Victim focuses on the members of one family—including a mother who died after the attack and a son who was left barely alive—as they fought for his survival and struggled to rebuild their lives. Victim was the first book to go beyond the headlines and statistics about violent crime, to tell the victims’ dramatic story of love, loss and courage. It remains one of the most influential books in the victims’ rights movement and has become required reading in criminology courses across the country. It may be more relevant now than ever.

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