Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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The Blood of Heaven
The Blood of Heaven

West Florida. 1799. A violent frontier.

“A masterly achievement . . . Captures the pioneer spirit, lawlessness, and religious fervor of the Southern frontier.” —Publishers Weekly
(starred, boxed review)


"All hail the future—this boy king has fifty more years of writing to feed our hungry souls." —Bob Shacochis

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“Written in Mr. Cooper’s taut, chillingly ironic prose. . . Try is about a world under severe emotional repression—a fascistic world of pure sadistic power. . . . As improbable as it may seem, Dennis Cooper has written a love story, all the more poignant because it is so brutally crushed.”—The New York Times Book Review
Try
By Dennis Cooper
Grove Press
978-0-8021-3338-0 • $13.00 • Paperback • Apr. 1995
Fiction
Simultaneously deadpan and queasily raw, Try is the story of Ziggy, the adopted teenaged son of two sexually abusive fathers whose failed experiment at nuclear-family domesticity has left him stranded with one and increasingly present in the fantasies of the other.  He turns from both of these men to his uncle, who sells pornographic videos on the black market, and to his best friend, a junkie whose own vulnerability inspires in Ziggy a fierce and awkward devotion.

Terminally insecure and yet inured to sexual brutality, Ziggy questions his two fathers, his uncle, his drug dealer, his friends, and himself in an attempt to isolate and define the vagaries and boundaries of sexuality, attraction, and abuse, compiling their responses into a magazine that he calls I Apologize.

In prose that is taut, rhythmic, charged, chillingly precise, and beautifully controlled, Cooper examines his characters’ motivations not as the product of cultural coercion but as the emanations of something hungry and amoral and essentially human. Try explores “that buried need to go all the way and really possess someone,” that place where desire disintegrates into the irrational. He illuminates with utter clarity the need to claim the desirable, to possess wholly something that will fulfill the profound emptiness of the human soul.

With Try, Cooper has produced a novel even more complex than his previous books, dangerously innovative and with the startling familiarity of truth in its examination of love, obsession, devotion, and the depths of human need.

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