Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“[Finnamore] pauses for some serious reflections, but doesn’t dwell too long on them, which is why the book’s emotional climax—the baby’s birth—hits home with the full force of raw, unrehearsed emotion. Finnamore deserves praise for having brought the emotional roller coaster of new motherhood to life with such dignity and style.”—Judith Warner, Washington Post
The Zygote Chronicles
By Suzanne Finnamore
Grove Press
978-0-8021-3981-8 • $12.00 • Paperback • June 2003
Fiction
A riotous and poignant novel in journal form that takes us from conception to delivery room

Suzanne Finnamore’s universally applauded Otherwise Engaged followed one woman’s whirlwind ride from diamond ring to altar. The Zygote Chronicles is Finnamore’s singular take on the next leg of the journey.  Through the voice of a whip-smart, sass-talking everywoman, Zygote reveals the unsettling and uproarious truth about pregnancy and the prospect of motherhood, from wicked cravings to homicidal-rampage-inducing pregnancy guides.

When she finds out she's pregnant with her first child, the narrator of The Zygote Chronicles is closer to forty years old than to twenty-two (the latter, she is informed by a homicidal-rampage-inducing pregnancy guide, being the ideal age to have a baby). What unfolds from her very first wry yet heartfelt memo to her unborn child is like a series of x-rays into a pregnant woman's soul, mind, and appetites. Suddenly she is attuned to everything around and inside her and she doles out observations and words of wisdom to her unborn baby accordingly: how a pregnant woman's body becomes public property; the way everyone on the street fancies himself part of the jury when it comes to choosing a name. She captures the many sensory changes her body goes through with uncanny precision and crackling wit, and ponders why her once storybook marriage to the man she waited for all her life, suddenly undergoes an alchemical transformation every time he eats garlic or onions.

The Zygote Chronicles “deserves real praise for having brought the emotional roller-coaster of new motherhood to life with such dignity and style” (The Washington Post). The strange purgatory of pregnancy has been a fact of life since Eve ate the apple, but never has it been recounted in such brilliant, hilarious detail.
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