Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“An extraordinary and heartbreaking book, the finest account of a war correspondent’s psychic wracking since Michael Herr’s Dispatches, and the best white writing from Africa in many, many years.”—Rian Malan, author of My Traitor’s Heart

The Zanzibar Chest
A Story of Life, Love, and Death in Foreign Lands
By Aidan Hartley
Grove Press
978-0-8021-2585-9 • $17.00 • Forthcoming in Paperback • Dec. 2016
Memoir
An epic narrative combining the literary reportage of Ryzard Kapuscinski with a historical love story reminiscent of Michael Ondaatje’s The English Patient

In his final days, rising from a bed made of mountain cedar, lashed with thongs of rawhide from an oryx shot many years before, Aidan Hartley’s father says to him, “We should have never come.” Those words spoke of a colonial legacy that stretched back over 150 years through four generations of one British family. From great-great-grandfather William Temple, who was awarded the Victoria Cross for his role in defending British settlements in nineteenth century New Zealand, to his father, a colonial officer sent to Africa in the 1920s, building dams and irrigation projects in Arabia in the 1940s, then returning to Africa to raise a family—these were intrepid men who traveled to exotic lands to conquer, to build, and finally to bear witness. For finally there is Aidan, who becomes a journalist covering Africa in the 1990s. Weaving together stories, his family’s history, and his childhood in Africa, Aidan tells us what he saw.

After the end of the Cold War, there seemed to be new hope for Africa but again and again—in Ethiopia, in Somalia, Rwanda, and the Congo, the terror and genocide prevailed. In Somalia, three of Aidan’s close friends are torn to pieces by an angry mob. Then, after walking overland from Uganda with the rebel army, Aidan is witness to the terrible atrocities in Rwanda, appearing at the sites and interviewing survivors days after the massacres. Finally, burnt out from a decade of horror, Aidan retreats to his family’s house in Kenya where he discovers the Zanzibar chest his father left him. Intricately hand-carved and smelling of camphor, the chest contained the diaries of his father’s best friend, Peter Davey, an Englishman who died under mysterious circumstances over fifty years ago. Tucking the papers under his arm, Hartley embarked on a journey to southern Arabia in an effort not only to unlock the secrets of Davey’s life, but of his own. He travels to the remote mountains and deserts of southern Arabia where his father served as a British officer. He begins to piece together the disparate elements of Davey’s story, a man who fell in love with an Arabian princess and converted to Islam, but ultimately had to pay an exacting price.

The Zanzibar Chest is an enthralling narrative of men and women meddling with, embracing, and ultimately being transformed by other cultures—one of the most important examinations of colonialism ever written.
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