Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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From Gay Talese, a remarkable new work of reportage more than thirty years in the making.
The Voyeur's Motel
By Gay Talese
Grove Press
978-0-8021-2581-1 • $25.00 • Cloth • July 2016
Popular Culture (Sexuality)
On January 7, 1980, in the run-up to the publication of his landmark bestseller Thy Neighbor’s Wife, Gay Talese received an anonymous handwritten letter from a man in Colorado. “Since learning of your long awaited study of coast-to-coast sex in America,” the letter began, “I feel I have important information that I could contribute to its contents or to contents of a future book.”

The man went on to tell Talese an astonishing secret: he had bought a motel outside Denver for the express purpose of satisfying his voyeuristic desires. Underneath the peaked roof of his motel, the man had built an “observation platform,” fitted with vents, through which he could peer down on his unwitting guests.

Unsure what to make of this confession, Talese traveled to Colorado where he met the man—Gerald Foos—and verified his story in person. But because Foos insisted on remaining anonymous, preserving for himself the privacy he denied his guests, Talese filed his reporting away, assuming the story would remain untold.

Over the ensuing years, Foos occasionally reached out to Talese to fill him in on the latest developments in his life. He also sent Talese hundreds of pages of notes on his guests and their habits, work that Foos believed made him a pioneering researcher into American society and sexuality. America in microcosm had passed through the Voyeur’s motel, and he witnessed and recorded the harsh effects of the war in Vietnam, the upheaval in gender roles, the decline of segregation, and much more. But Foos continued to insist on anonymity. Now, after thirty-five years, he’s ready to go public and Gay Talese can finally tell his story.

The Voyeur’s Motel is an extraordinary work of narrative journalism, at once a portrait of one complicated man, and an examination of secret lives and shifting mores in a culturally-evolving country.





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