Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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The Last World By Christoph Ransmayr,
Translated from the German by John E. Woods
“Christoph Ransmayr has written a curious novel that conveys the distancing, the numbness, of Arctic. . . . Ransmayr’s real protagonist is obsession itself, the call of the wild.”—Los Angeles Times
The Terrors of Ice and Darkness
By Christoph Ransmayr
Translated from the German by John E. Woods
Grove Press
978-0-8021-3459-2 • $12.00 • Paperback • June 1996
Fiction
A brilliant interweaving of journeys and voyages—geographical, historical, psychological—The Terrors of Ice and Darkness is the riveting account of a narrator obsessed with a certain Josef Mazzini, a young Italian “lost in the arctic winter of 1981” who is himself obsessed with the Imperial Austro-Hungarian North Pole Expedition of 1873: “At first it was nothing more than a game to try to reduce the circumstances of his disappearance to some sort of explanation, any explanation. But every clue yielded a new unanswered question. Quite involuntarily I found myself taking one step after the other. . . . Cumulus clouds mirrored in a shop window became calving glaciers, patches of old snow in city parks became great floes of ice. The Arctic Ocean lay at my window. Much the same thing must have happened to Mazzini.”

Painstakingly retracing Mazzini’s steps, the narrator simultaneously reconstructs the dramatic and fantastic story of the nineteenth-century journey, using actual letters and diaries of the members of that harrowing expedition. These documents—sometimes surprisingly poetic and moving—combine in the narrator’s imagination to evoke as never before the awful beauty of the world’s farthest northern reaches.

In a novel as crystalline as the polar ice, as penetrating as the arctic cold, Christopher Ransmayr spins an adventure tale both spellbinding and paradoxical in its subversive undermining of conventional notions of heroism and exploration.

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