Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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Harrison has proved to be one of our finest storytellers. His new collection, The Summer He Didn’t Die, gives us more from the master. . . . These new novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.”
—Jane Ciabattari, Los Angeles Times

The Summer He Didn't Die
By Jim Harrison
Grove Press
978-0-8021-4255-9 • $13.00 • Paperback • Aug. 2006
Fiction
Jim Harrison is one of our finest writers, whose vivid, tender, and deeply felt fictions have won him acclaim as an American master, in particular as perhaps the finest practitioner of the novella form now writing. His latest highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional.

Witty, ribald, and joyous, The Summer He Didn’t Die is a sheer celebration of life and all its magic. In the title novella, “The Summer He Didn’t Die,” Brown Dog, a hapless Michigan Indian loved by Harrison’s readers, is trying to parent his two stepchildren and take care of his family’s health on meager resources—it helps a bit that his charms are irresistible to the new dentist in town. “Republican Wives” is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And “Tracking” is a gorgeous meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known in a vivid stream of consciousness that transfigures how we look at our own surroundings.

The Star Tribune (Minneapolis) has said that the book is an “excellent trio of stories . . . Jim Harrison cannot write too often . . . vivid, deft, and poetic storytelling . . . [and] a complex compound of earthiness and erudition.” With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth.
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