Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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The Blood of Heaven
The Blood of Heaven

West Florida. 1799. A violent frontier.

“A masterly achievement . . . Captures the pioneer spirit, lawlessness, and religious fervor of the Southern frontier.” —Publishers Weekly
(starred, boxed review)


"All hail the future—this boy king has fifty more years of writing to feed our hungry souls." —Bob Shacochis

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The Beans of Egypt, Maine By Carolyn Chute
“Chute is such an extraordinary, vivid, empathetic writer. . . . Like a ferocious bulletin from an alternate universe—tumbling, pell-mell, brilliant and strange—comes this explosive and discomfiting . . . beautiful novel. . . . [The School on Heart’s Content Road is] a love song to a part of America that doesn’t have much of a voice, and is armed. . . . [It’s] a message in a bottle: urgent, written in capital letters, determined to travel the seemingly great distance from one shore of reality to another.  You might not agree with everything in it, but you might want to open it and read it. She’s talking to you.” —Stacey D’Erasmo, The New York Times Book Review
The School on Heart's Content Road
By Carolyn Chute
Grove Press
978-0-8021-4415-7 • $14.95 • Paperback • July 2009
Fiction
Since her astonishing debut, The Beans of Egypt, Maine, best-selling novelist Carolyn Chute has been heralded as a passionate voice of the underclass, earning comparisons to Faulkner, Steinbeck, and Flannery O’Connor. In her first novel in ten years, Chute returns to Egypt, Maine, and delivers a rousing, politically charged portrait of a group of lives on the margins of our society.

The School on Heart’s Content Road spirals out from the story of Mickey Gammon, a disaffected fifteen-year-old dropout who has been evicted from his home by his overwrought half-brother. With the help of his new friend, Rex York, the captain of the local militia, Mickey is introduced to the secretive world of the Settlement. Run by a man known to many as “The Prophet,” the Settlement is a rural cooperative in alternative energy, farm produce, and locally made goods. Falsely demonized by the media as a compound of sin, the Settlement’s true nature remains foreign to outsiders.

It is at the Settlement where Mickey’s life collides with that of another deserted child, six-year-old Jane—a cunning, beautiful girl of mixed race, whose mother is in jail on trumped-up drug charges. “Secret Agent” Jane prowls the Settlement in her heart-shaped sunglasses, imagining that her childish plans to bring down the community will reunite her with her mother. As they struggle to adjust to their new, complex surrogate family, Mickey and Jane witness the mounting unrest within the Settlement’s ranks, which soon builds to a shocking and devastating crescendo.

Vehement and poetic, The School on Heart’s Content Road questions the nature of family, struggle, and authority in an intensely diverse nation. It is an urgent plea from the disenfranchised who, though disregarded and shoved to the fringes of society, refuse to be silenced.

Carolyn Chute's interview with Maine Public Radio
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