Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

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Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Bailey has the gifts of a novelist and a readiness to blend fact and conjecture . . . with the result that The Lost German Slave Girl reads like a legal thriller. . . . He is a diligent researcher and a gifted storyteller, and The Lost German Slave Girl zips right along.” —Jonathan Yardley, The Washington Post
The Lost German Slave Girl
The Extraordinary True Story of Sally Miller and Her Fight for Freedom in Old New Orleans
By John Bailey
Grove Press
978-0-8021-4229-0 • $14.00 • Paperback • Jan. 2006
History (United States)
It is a bright, spring morning in New Orleans, 1843. In the Spanish Quarter, on a street lined with flophouses and gambling dens, Madame Carl Rouff recognizes a face from her past. It is the face of Salomé Müller, her best friend’s daughter who disappeared twenty-five years earlier. But the young olive-skinned woman claims her name is Mary Miller—she is the property of a Frenchman who owns a nearby cabaret. She is a slave, with no memory of a “white” past, or of the Müller family’s perilous journey from its German village to New Orleans. And yet her resemblance to her mother is striking, and she bears two telltale birthmarks. Had a defenseless European orphan been callously and illegally enslaved, or was she an imposter? So began one of the most celebrated and sensational trials of nineteenth-century America.

In brilliant novelistic detail, award-winning historian John Bailey reconstructs the exotic sights, sounds, and smells of mid-nineteenth-century New Orleans, an “infernal motley crew” of cotton kings, decadent river workers, immigrants, and slaves. Miller’s dramatic trial offers an eye into the fascinating laws and customs surrounding slavery, immigration, and racial mixing. Did Miller, as her relatives sought to prove, arrive from Germany under perilous circumstances as an indentured servant or was she, as her master claimed, part African and a slave for life? The trial pits a humble community of German immigrants against Mary’s previous owner, John Fitz Miller, a hardened capitalist who is as respected by the community for his wealth and power as he is feared and distrusted, and his attorney, John Randolph Grymes, one of the brashest and most flamboyant lawyers of his time. Was Sally Miller’s licentious lifestyle proof that she was part African, as the defense argued? Or was she the victim of a terrible injustice? Bailey follows the case’s incredible twists and turns all the way to the Supreme Court, and comes to a shocking conclusion.

A tour de force of investigative history that reads like a suspense novel, The Lost German Slave Girl is a fascinating exploration of slavery and its laws, a brilliant reconstruction of mid-nineteenth-century New Orleans, and a riveting courtroom drama. It is also an unforgettable portrait of a young woman in pursuit of freedom.
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