Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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Winterton Blue By Trezza Azzopardi

Remember Me By Trezza Azzopardi
“A harrowing and remarkable self-assured first novel [by an author of] copious and galvanic talents.” —Michiko Kakutani, The New York Times
The Hiding Place
By Trezza Azzopardi
Grove Press
978-0-8021-3859-0 • $13.00 • Paperback • Jan. 2002
Fiction
A finalist for England’s Booker Prize and a national bestseller in the U.S., The Hiding Place is a searing debut novel about family, love, and the innocence and terror of childhood.

Set in a Maltese immigrant community in Cardiff, Wales, in the 1960s and peopled with sharp-edged, luminously drawn characters, The Hiding Place is the story of Frankie Gauci, his wife, Mary, and their six daughters. It chronicles in graceful language Frankie’s unforgivable betrayal: gambling away his family’s livelihood and eventually the family itself. Called “astonishing and iridescent” by the London Times, The Hiding Place is a mesmerizing exploration of how family, like fire, can shift suddenly from something that provides light and warmth to a dangerous conflagration, sparing no one in its path.

The Gaucis’ story is seen through the eyes of Dolores, the youngest daughter and, in her father’s estimation, the embodiment of bad luck, condemned to bear the mark of a family that is rapidly singeing at the edges. With a lyricism that belies the horrors she so often recounts (“children burnt and children battered: someone must be to blame”), Dolores presents an unsparing portrayal of the fear and hopelessness of childhood amid grim poverty and neglect, of children growing up without safety nets and on sunken foundations.

The Hiding Place conjures the coarse sensuality of life among the docks, the smoky cafés and bars, the crumbling homes and gambling rooms of Tiger Bay. Sustained by a tightrope tension and combining the stark, youthful wisdom and the uncanny, perfect pitch of Susan Minot’s Monkeys with the redemptive liveliness of the downtrodden in Angela’s Ashes, The Hiding Place is a breathtaking, radiant debut.
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