Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Euphoria By Lily King

Father of the Rain By Lily King

The Pleasing Hour By Lily King
“Beautifully written and carefully observed . . . King is a wildly talented writer.” —Claire Dederer, Chicago Tribune
The English Teacher
By Lily King
Grove Press
978-0-8021-4266-5 • $13.00 • Paperback • July 2006
Fiction
Unanimously praised for her first novel, The Pleasing Hour, which was called “splendid . . . powerful . . . [and] so assured it’s hard to believe the book itself is her debut” by The New York Times Book Review, Lily King has written a thrilling successor. In The English Teacher, King uses her superb craftsmanship, effortlessly suspenseful pacing, and tenderly observed insight into marriage, motherhood, and family to expertly limn the life of an independent single mother and her fifteen-year-old son, who is on a circuitous path toward a truth she has long concealed from him.

Fifteen years ago Vida Avery arrived alone and pregnant at elite Fayer Academy. She has since become a fixture and one of the best English teachers Fayer has ever had. By living on campus, on an island off the New England coast, Vida has cocooned herself and her son, Peter, from the outside world and from an inside secret. For years she has lived largely through the books she teaches, but when she accepts the impulsive marriage proposal of ardent widower Tom Belou, the prescribed life Vida has constructed is swiftly dismantled.

Peter, however, welcomes the changes. Excited to move off campus, eager to have siblings at last, Peter anticipates a regular life with a “normal” family. But the Belou children are still grieving, and the memory of their recently dead mother exerts a powerful hold on the house. As Vida begins teaching her signature book, Tess of the D’Urbervilles, a nineteenth-century tale of an ostracized woman and social injustice, its themes begin to echo eerily in her own life and Peter sees that the mother he perceived as indomitable is collapsing and it is up to him to help.

The English Teacher
is a passionate tale of a mother and son’s vital bond and a provocative look at our notions of intimacy, honesty, loyalty, family, and the real meaning of home. A triumphant and masterful follow-up to her award-winning debut, The English Teacher confirms Lily King as one of the most accomplished and vibrant young voices of today.

Praise for The Pleasing Hour:

“Splendid . . . powerful . . . so assured that it’s hard to believe the book itself is her debut.” —Jacqueline Carey, The New York Times Book Review

“Delightful . . . Introduces a very talented writer of great promise.” —Lelia Ruckenstein, Washington Post Book World

“A rich first novel about families lost and found from a promising writer with an ear for the kind of language from the heart, that touches deeply.” —The Christian Science Monitor

“Though she tells lean stories, King can brush lush descriptions with majestic colors and vivid, fleeting pleasures.” —The Seattle Times

“Beautifully wrought . . . what people do to each other and the legacies they leave are King’s central subjects, and in her deft hands they’re explored in complicated, ambitious ways that leave us feeling as if we’ve become fluent in a foreign language.” —Karen Shepard, USA Today

“[An] impressive debut from a writer who knows how to uncover the saving impulses of the heart.” —Lisa Shea, Elle
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