Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Witches on the Road Tonight By Sheri Holman

A Stolen Tongue By Sheri Holman

The Mammoth Cheese By Sheri Holman
“Holman seduces you. Her prose, tart, racy and somber, will sing in your soul a long while.” —Frank McCourt, author of Angela’s Ashes
The Dress Lodger
By Sheri Holman
Grove Press
978-0-8021-4492-8 • $14.00 • Paperback • Apr. 2010
Fiction
Sheri Holman’s first novel, A Stolen Tongue, the story of faith and betrayal along a medieval pilgrimage route, was a national best-seller and was published to international acclaim. In her second novel, Holman delivers a stunning exploration of sinister Industrial England, prostitution, and the dark secrets of nineteenth-century medical science.  Reminiscent of An Instance of the Fingerpost by Iain Pears and the works of Caleb Carr, The Dress Lodger is a historical thriller charged with a distinctly modern voice.

Fifteen-year-old Gustine is a “dress lodger,” a young prostitute who rents a beautiful blue dress from her landlord to attract a higher class of clientele. To make sure she earns her fees and to keep her from running off with his fantastical gown, her pimp has set a malevolent old woman, known only as “the Eye,” to follow her through the back alleys of Sunderland. By day a potter’s assistant, by night a courtesan of the streets, Gustine works to support her fragile only child, born with a remarkable anatomical defect.

Surgeon Henry Chiver is a prisoner of his own past. Implicated in the Burke and Hare killings in Edinburgh, in which beggars were murdered so the corpses could be sold to medical schools, he has come to Sunderland to start a new life. He has a loving fiancée, an influential uncle, and an anatomy school that is chronically short of teaching cadavers.

Doctor and dress lodger come together in the filthy, overgrown East End of Sunderland. Here, during the worst epidemic since the bubonic plague, Gustine secures bodies for the doctor’s school, until Henry’s greed and his growing obsession with her child challenge her loyalty to him. With cholera bearing down on the city, Gustine must turn to her mortal enemy, the Eye, in her battle for the life and afterlife of her only child.

Ribald and irreverent, heartbreaking and horrifying, The Dress Lodger tells a story of those who were sacrificed so that medicine might advance. Written with an unbridled intellectual energy that will entice you through the last bittersweet pages, The Dress Lodger is a Dickensian tour de force.

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