Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
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The Interior Circuit By Francisco Goldman

The Long Night of White Chickens By Francisco Goldman

Say Her Name By Francisco Goldman

The Art of Political Murder By Francisco Goldman

The Ordinary Seaman By Francisco Goldman
The Divine Husband presents the peculiar crossroads where love and imagination meet politics and history. . . . A great miscegenating carnival of ambition and desire.” —Lee Siegel, The New York Times Book Review
The Divine Husband
A Novel
By Francisco Goldman
Grove Press
978-0-8021-4221-4 • $14.00 • Paperback • Sep. 2005
Fiction
From “one of America’s most significant living novelists,” a magnificent novel that is “a meditation on the slippery nature of life to art [and] . . . a work of ambition, seriousness, passion and seething life” (Claire Messud, Bookforum)

With his novels The Long Night of White Chickens and The Ordinary Seaman, Francisco Goldman has reaped immense critical acclaim and established himself as an American voice of vital importance. His third novel is a marvelous tale about the soul of the Americas and the birth of the modern spirit, of great love, tragedy, and human comedy, set in the convents, ballrooms, and coffee plantations of Central America and the docks, rooming houses, and stately Fifth Avenue addresses of New York.

The Divine Husband tells the story of María de las Nieves Moran, daughter of an Irish-American father and a Central American mother, whose brief career as a nun is terminated when a rapacious general closes the convents—in part to reach her beautiful, aristocratic best friend Paquita, hidden away from him in the cloister. María de las Nieves makes her own way in the secular world, surrounded by an unforgettable cast of characters striving for love or success in late-nineteenth-century Central America and New York: José Martí, the poet and hero of nineteenth-century Cuban independence and the first man María de las Nieves loves; Mack Chinchilla, the Yankee-Indio entrepreneur intent on winning her hand; a stuffy British diplomat setting up a political impostor plot; and Mathilde, the daughter whose birth—perhaps fathered by one of these men—ruins María de las Nieves’s reputation and launches her on a journey to a new future in New York.

This is a joyfully imagined novel of ideas and a broad, beautifully achieved canvas populated by sassily adorable Indian girls, wandering Jewish coffee farmers, the founder of the rubber-balloon industry, and one of Latin America’s greatest and most complex men, of whom it paints an unprecedented and rich portrait. The Divine Husband is an extraordinarily inventive, poetic engagement with the meaning of literature and the writing of history. It is a rich, thrilling accomplishment that is destined to be a literary event.
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