Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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A witty, captivating novel of greed and hubris set amid the Celtic Tiger and its ignominious downfall, by a writer who, Barbara Kingsolver has said, “packs a stunning worldly wisdom into her beautiful prose.”

The Devil I Know
By Claire Kilroy
Black Cat
978-0-8021-2237-7 • $16.00 • Paperback • Feb. 2014
Fiction
 “Dark, funny and wonderful: The Devil I Know is a shot through the heart of the Irish boom.” —Anne Enright, Man Booker Prize–winning author of The Gathering

Claire Kilroy is a prodigious, award-winning young talent in Irish fiction, whose fresh, authoritative voice has garnered enthusiastic praise. In The Devil I Know, she delivers a delicious novel, a cautionary tale of financial excess set during the Irish property bubble.

Tristram St. Lawrence has not been home for years—ever since he missed his mother’s deathbed in favor of going on a bender, the thirteenth Earl of Howth is not welcome in the family castle. Now sober, he lives an itinerant life in self-imposed exile, and his main confidant is his sponsor, a mysterious businessman who Tristram knows only as M. Deauville.

One day, when his plane is unexpectedly diverted to Dublin, Tristram ends up where he started, and an old acquaintance, a bully from his school days who’s now making a name in construction, pitches to Tristram an ambitious and expensive development project. The trouble is, M. Deauville thinks it’s a good idea, and before Tristram knows it he’s settled in Howth under his father’s baleful gaze and is up to his neck in funding proposals, zoning approvals, and the personal life of his business partner.

A wry and timely skewering of a country, a man, and an entire international financial system descended into madness, The Devil I Know establishes Claire Kilroy as a vigorous and wonderful new talent.

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