Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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Already an international bestseller, a gripping thriller about a recovering alcoholic determined to prove that his uncle’s death was not suicide, but murder
The Dead Student
By John Katzenbach
The Mysterious Press
978-0-8021-2558-3 • $16.00 • Paperback • Nov. 2016
Thriller
“[Katzenbach] proves he is a genius at handling complex dark plots and characters, and masterfully narrates the most terrifying recesses of the mind. You will read The Dead Student in one sitting.”—ABC Nacional (Madrid) 

A master of the modern psychological thriller, internationally bestselling author John Katzenbach is an unrivaled investigator of that most primal human motive—revenge. A tense, penetrating novel, The Dead Student follows a young man set on avenging the uncle who saved his life, no matter the consequences.         

Timothy Warner, a PhD student who goes by the nickname “Moth,” wakes up on his ninety-ninth day of sobriety with an intense craving for drink. He immediately calls his uncle Ed, a former alcoholic and now successful psychiatrist who has become Moth’s mentor and father figure. Ed promises to meet him at an AA meeting later that day but never shows up. Moth bikes to his office only to discover a grisly scene: his uncle lying in a pool of blood, shot through the temple. Deeply shaken, Moth dials 911 and waits for the police, who pronounce the death a suicide. Two words are scrawled across Ed’s prescription pad: My fault. But Moth refuses to believe that his uncle would take his own life. Devastated and confused, he calls on the only person he thinks he can trust: Andrea Martine, an ex-girlfriend he has not spoken to in four years, a young woman who is struggling through her own trauma.

Each battling their inner demons, Moth and Andy travel into dark, unfamiliar territory, intent on finding out the truth about Ed’s death and circling ever closer to a devious mind that will flinch at nothing to achieve his own goal of revenge.

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