Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Stars Screaming By John Kaye
“A looming thundercloud of a book; it begins in a Southern California that seems permanently infused with sunshine and ends in one that has been forever submerged beneath the dark surf of a nourish nightmare. . . . Kay’s book may be dark, but it isn’t depressing, probably because he’s such a compassionate writer.” —Stephanie Zacharek, The New York Times Book Review
The Dead Circus
By John Kaye
Grove Press
978-0-8021-4017-3 • $14.00 • Paperback • Aug. 2003
Fiction
John Kaye’s two novels have established him as one of today’s most stunning chroniclers of Los Angeles, a city of rockers and private eyes, script girls and wiseguys, innocents and Charles Manson. Of The Dead Circus, David Ebershoff wrote in the Los Angeles Times Book Review, “The reader is compelled to turn the page. . . . Once the novel’s momentum takes hold, [its] pursuit becomes ours.”

It’s 1986. Gene Burk is an ex-cop, fanatical record collector, and private eye. Devastated by the death of his fiancée, Gene becomes obsessed with an unsolved mystery from his days with the LAPD: the late-sixties death of up-and-coming rockabilly star Bobby Fuller. As Gene attempts to reconstruct the circumstances that led to Fuller’s demise, he is unexpectedly contacted by a survivor of the Manson Family who needs Gene’s help to bury her past. As Gene travels back in history to the moment Manson partied alongside Bobby Fuller and the Beach Boys, John Kaye spins a masterful, disturbing portrait of twenty years in Los Angeles, of the promise of the sixties and the hellish realities of the morning after.
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