Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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After the Blue Hour By John Rechy

The Vampires By John Rechy

Marilyn's Daughter By John Rechy

Our Lady of Babylon By John Rechy

City of Night By John Rechy

About My Life and the Kept Woman By John Rechy

The Life and Adventures of Lyle Clemens By John Rechy

The Miraculous Day of Amalia Gómez By John Rechy

Bodies and Souls By John Rechy

Rushes By John Rechy

The Sexual Outlaw By John Rechy

The Fourth Angel By John Rechy

Numbers By John Rechy

This Day's Death By John Rechy
“The question Rechy asks is still potent: Would you die for sex? Rechy’s sizzling literary response . . . is as exciting as it is chilling.” —Pamela Warrick, Los Angeles Times
The Coming of the Night
By John Rechy
Grove Press
978-0-8021-3742-5 • $12.00 • Paperback • Oct. 2000
Fiction
When it was first published, John Rechy’s City of Night created a sensation and became an international bestseller. In The Coming of the Night, Rechy returns to some of the themes and scenes of his now-classic first novel. A stunning evocation of gay desire in the moment just before AIDS, this book confirms the author’s position as America’s preeminent gay writer.

It is 1981, a hot summer night, and an unscripted ritual is about to take place. Jesse, “the kid,” is celebrating one year on the dazzling gay scene and plans to lose himself completely in its transient pleasures. Clint has fled New York with a sense of unease in the wake of a vicious gay-bashing and a night in the sexual underground. Buzz, Boo, Toro, Fredo, and Linda are cruising the city looking for danger, and so is Dave, a “leatherman” devoted to S&M and testing limits. And a priest is searching the streets for a young hustler named Angel, determined to bring him to Jesus. In this city of night we meet, among others, a black cowboy, a bodybuilder obsessed with his sexual prowess, a hilarious drag-queen porn director hired to rehearse her stars for a closeted Hollywood mogul, and a middle-aged romantic hiding in memory and fantasy from a new gay world increasingly obsessed with youth and beauty. As the Santa Ana winds, renowned for stirring up desires and violence, breathe fire down the hills of Los Angeles, this cast of characters circles ever closer to the night—and to a confrontation as astonishing as it is inevitable.

The Coming of the Night is as much an ode to the golden age of promiscuity as it is an unflinching exploration of the dark side of desire. Tightly constructed, beautifully executed, humorous, and compassionate, it proves once again that as a novelist and trenchant chronicler of gay life, John Rechy has no parallel.

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