Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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Here, at last, is the most complete collection (and the first critical edition) of Beckett’s poetry and verse translations, including previously unpublished material—a collectible, treasurable volume

The Collected Poems of Samuel Beckett
By Samuel Beckett
Grove Press
978-0-8021-2308-4 • $35.00 • Cloth • Nov. 2014
Poetry
“[A] sumptuously annotated edition. . . . Beckett’s poems trace in miniature his lifelong inability, despite his best efforts, to keep silent.” —New Criterion

“Collecting so many poems into a single volume makes it much easier to trace the patterns that are worked into Beckett’s imaginative DNA. . . . For anyone interested in the evolution of his plays, Beckett’s poems are essential reading.”
—Telegraph   

Samuel Beckett began his career by publishing poems in literary reviews in Paris during the 1930s, and—although primarily considered a playwright and novelist—he continued writing poetry throughout his life. This new, definitive volume presents Beckett’s poetry in the order it was composed, from prewar to postwar, and contains previously unpublished and never-before- reprinted work. Along with his translations of Apollinaire, Mallarmé, Rimbaud, and many others, this book also brings together all of the pieces from Collected Poems in English and French, selections from Mexican Poetry: An Anthology (translated by Beckett), and poems that appeared in his novels and plays. Extensive critical notes by editors Seán Lawlor and John Pilling detail the circumstances of their composition, explaining obscure allusions and references (frequently sourced to Beckett’s notebooks) and identifying resonances across his oeuvre.

Poetry allowed Beckett to reconcile his penchant for opulent phrasing with his preference for minimalism, and it profoundly influenced his approach to the drama and fiction for which he’s revered. This complete collection is an informative and essential addition to the libraries of Beckett’s readers.

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