Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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A joy ride through the wild world of sports from “the best sportswriter in the country” (St. Paul Pioneer Press)
The Caddie Was a Reindeer
And Other Tales of Extreme Recreation
By Steve Rushin
Grove Press
978-0-8021-4211-5 • $12.00 • Paperback • Nov. 2005
Sports
A joy ride through the wild world of sports from “the best sportswriter in the country” (St. Paul Pioneer Press)

Steve Rushin has been called “the best sportswriter in America” by the St. Paul Pioneer Press and “certainly the most fun to read” by the Hartford Courant. A four-time finalist for the National Magazine Award, Rushin is the author of Road Swing, ranked among the Top 100 Sports Books of All Time by Sports Illustrated, for which he writes the enormously popular “Air and Space” column.

In The Caddie Was a Reindeer Rushin circumnavigates the globe with his golf clubs—less pole-to-pole than flagstick-to-flagstick—in pursuit of extreme recreation. In the Arctic Circle, he meets ice golfers, one of whom explains: “We play on snow, in freezing temperatures, with balls that are purple.” To which Rushin can only reply: “Yes, well, I imagine they must be.”

On Bali, in the Indian Ocean, he forsakes his lob wedge for a lava wedge on a gold course laid out in the crater of a volcano. (“Sure the volcano is long inactive, but so are Tony Orlando and Dawn. Should I not fear a return to activity?”)

In Minnesota, he watches the National Amputee Golf Tournament, where one participant tells him, “I literally have one foot in the grave.”

Along the way, Rushin meets fellow travelers like Joe Cahn, a professional tailgater who confesses aboard the RV in which he lives: “It’s wonderful to see America from your bathroom.” And even he has logged fewer miles in pursuit of extreme recreation than Rich Rodriguez, a marathon roller-coaster rider who makes endless loops for entire summers on coasters around the world. “His face resembled a peeled tomato, rubbed raw by the Irish Sea,” writes Rushin. “Imagine driving from Miami to Juneau and back at sixty-five mph with your head out the window and you only begin to comprehend the man’s 11,362-mile ride to nowhere.”

The Caddie Was a Reindeer is a ride to everywhere: to south London (where Rushin downs pints with the King of Darts) and the Champs-Elysées (where the author indulges in “excessive nightclubbing” with World Cup soccer stars); to Japan (where Rushin eats soba noodles with the world champion of competitive eating) and Germany (where he drives James Bond’s convertible on the world’s most dangerous Formula One racetrack). Enlightening, hilarious, and unexpectedly heartwarming, this collection is not a body of work: it’s a body of play.
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Afterglow (a dog memoir)

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Afterglow (a dog memoir)

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Hue 1968

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Afterglow (a dog memoir)

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Brave Deeds

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Hue 1968

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Hue 1968

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Hue 1968

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Afterglow (a dog memoir)

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Afterglow (a dog memoir)

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Afterglow (a dog memoir)

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Playing Through the Whistle

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Hue 1968

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Freeman's: The Future of New Writing

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