Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Tamburlaine Must Die By Louise Welsh

The Cutting Room By Louise Welsh
“Delivers both the erotic tingle and the frisson of revulsion some of us feel when exploring a decadent subculture. . . . One of the most exciting new writers in the genre: a gorgeous style . . . and genuine sympathy for the lost souls who have stumbled into an underworld of vice and can’t find their way home.” —Marilyn Stasio, New York Times Book Review
The Bullet Trick
By Louise Welsh
Canongate U.S.
978-1-84195-917-7 • $13.00 • Paperback • July 2007
Fiction
Crime Writers Association award winner Louise Welsh follows up her hit artworld noir The Cutting Room with a slick literary suspense thriller set among the decadent domains of contemporary Berlin, Glasgow, and London.

In 2003 Louise Welsh’s unique contemporary noir thriller, The Cutting Room, earned her multiple crime-writing awards, as well as praise from the Los Angeles Times (that compared it to the early work of Ian McEwan) and The New York Times Book Review (which called it “a knockout debut”). The Bullet Trick is the full-length follow-up suspense thriller for which her growing audience has been waiting.

Meet William Wilson, a foundering so-called mentalist, conjurer, and above all—despite frequently being the opening act for strippers—a master performer. When his agent books him for a string of cabaret gigs in Berlin, he’s hoping his luck’s on the turn. There were certain spectators from his last show who he’d rather forget, like the one who offered him an easy job just before he turned into a corpse. Among the showgirls and grifters of Berlin’s scandalous underground, Wilson can forget his lonely heart, his muddled head, and, more important, his past. But secrets have a habit of catching up with William and as he gets in over his head with a certain brand of lucrative after-hours work, the line between what’s an act and what’s real starts to blur.

Bringing the seedy glamour of the burlesque scene magnificently to life, Louise Welsh’s deft contemporary tale is her richest and most macabre yet. A thundering thriller of Glasgow drinking dens, Soho clubs, and dark Berlin backstreets, The Bullet Trick is also an adults-only suspense, guaranteed to keep you guessing until its final explosive flourish. It also cements Louise Welsh’s reputation as one of the most exciting young thriller writers working today.
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