Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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The Interior Circuit By Francisco Goldman

The Long Night of White Chickens By Francisco Goldman

Say Her Name By Francisco Goldman

The Divine Husband By Francisco Goldman

The Ordinary Seaman By Francisco Goldman
“The Art of Political Murder is both a page-turner and a searing indictment of a corrosive brand of politics that has overwhelmed a nation . . . In these dark times, Goldman offers a rare gift: a reason for hope, a story about the limits of impunity, an improbable and inspiring case study of success.” —Daniel Alarcón, San Francisco Chronicle 

The Art of Political Murder
Who Killed the Bishop?
By Francisco Goldman
Grove Press
978-0-8021-4385-3 • $15.00 • Paperback • Sep. 2008
History
The Art of Political Murder is shortlisted for the Warwick Prize for Writing

“This is an impressive book. Goldman has focused his superb novelist’s talents—compassion, precision, muscularity, great thoroughness, and an instinct for the exotic—on modern-day Guatemala’s ineradicable crime against itself. This remarkable book would seem not to remind us of ourselves, yet somehow it does.” —Richard Ford


The first nonfiction book from acclaimed novelist Francisco Goldman, who began his career as a writer covering the 1980s wars in Central America for Harper’s, The Art of Political Murder is the story of the murder investigation of a Guatemalan bishop with the twisting plot and colorful characters of a Graham Greene novel.

Bishop Juan Gerardi, Guatemala’s leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand civilians. Realizing that it could not rely on police investigators or the legal system to solve the murder and bring those responsible to justice, the church formed its own investigative team, a group of secular young men in their twenties who called themselves Los Intocables (the Untouchables). Known in Guatemala as “The Crime of the Century,” the Bishop Gerardi murder case, with its unexpectedly outlandish scenarios and sensational developments, confounded observers and generated extraordinary controversy. For seven years, novelist Francisco Goldman has closely followed Los Intocables’ efforts to uncover the truth; the killing or forced exile of multiple witnesses, judges, and prosecutors; the brave struggle of the church’s legal team; and the efforts of one courageous prosecutor to solve the case and bring the killers to justice.

Goldman has spoken to witnesses no other reporter has reached, and observed firsthand some of the most crucial developments in the case. Now he has produced a tense and astonishing true detective story that opens a window on the new Latin American reality of mara youth gangs and organized crime, and demonstrates, on the most human scale, the precarious struggle to build democratic institutions in a country awash in criminal and political corruption and violence. Most of all this is the story of a remarkable group of engaging, courageous young people, and of their remarkable fight for justice.
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