Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Forty Thieves by Thomas Perry
Forty Thieves

From Thomas Perry, the
New York Times bestselling author of the Jane Whitefield series, comes a whip-smart and lethally paced standalone novel, Forty Thieves.

“Propulsive, darkly humorous.”
Publishers Weekly

“A knockout finale . . . Irresistible.”
Booklist (starred review)
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“Who would have thought a stand-up comedian could write a British police procedural as good as those produced by crime queens Elizabeth George and Ruth Rendell?” —USA Today

Sleepyhead
By Mark Billingham
Grove Press
978-0-8021-2150-9 • $15.00 • Paperback • July 2013
Thriller
Sleepyhead is Mark Billingham’s thrilling debut novel. Alison Willetts is unlucky to be alive. She has survived a stroke that was deliberately induced by a manipulation of pressure points on the head and neck. She can see, hear, and feel, and is aware of everything going on around her, but is completely unable to move or communicate. In leaving Alison Willetts alive, the police believe the killer made his first mistake. Then D.I. Tom Thorne discovers the horrifying truth; it isn’t Alison who is the mistake, it’s the three women already dead. “An appropriate margin of error” is how their killer dismisses them, and Thorne knows they are unlikely to be the last. With little more than gut instinct to damn his chief suspect, Thorne’s pursuit of the killer is soon bordering on the unprofessional. He must find a man whose agenda is terrifyingly unique, and Alison, the one person who holds the key to the killer’s identity, is unable to speak.
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