Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Grant is passionate yet blessedly free of rhetoric and gush. And how welcome is her evocation of the [sexual revolution’s] optimism—even its loopy naïveté—at a time when AIDS stamps eros with death, when the religious Right uses illness to stoke sexual terror, and when the women’s movement expends more energy on violence than on sexual gratification.” —The Village Voice
Sexing the Millennium
Women and the Sexual Revolution
By Linda Grant
Grove Press
978-0-8021-3349-6 • $12.00 • Paperback • July 1995
Sexuality
Sexing the Millennium is the first major attempt to analyze the cultural explosion that was the sexual revolution. It is an insightful and profound overview of our sexual psyche over the past thirty years and a frank investigation of both liberation and libertinism, in which Linda Grant eloquently argues the need for an eroticized female life. Joan Smith has said that “Linda Grant is on the side of sex and on the side of women,” and Sexing the Millennium is a compellingly thorough examination of the colossal social shifts catalyzed by that brief period when sex was free from the threats of both pregnancy and disease.

Brilliantly written, Sexing the Millennium charts the origins of sexual freedom from the Ranters’ seventeeth-century belief in sex as a liberating agent to hippie idealism of sixties counterculture—group marriage, politicized promiscuity, organized orgies—to the intellectual backlash of the seventies and, as we stand nervously in the shadow of AIDS, to our present, postmodern obsession: voyeurism.

Along the way, Grant examines the full impact of the Pill and its origins, medically, scientifically, and socially, as well as the contemporaneous political movements and changes: the decline of the Catholic church, the rise in experimental living communities, the female desire to achieve the stereotypical male freedom for pleasure that was so enthusiastically endorsed by men.

On the heels of heated debated about the backlash against women, Grant examines the rise in violent sex crimes, the prevalence of misogyny, the brutality of porn, and the rare but compelling phenomenon of violent female response. Emerging from the failed attempt to merge male and female into something androgynous and liberated, and from a lack of interest in co-opting traditional male pleasure forms, women are reconstructing their weapons and desires.

A seminal and deeply probing examination of the period when sex seemed like a kind of solution, this book is a forward-looking analysis of why, although sex alone did not spell freedom and equality for women, it was a crucial platform from which to foresee the construction of an autonomous female empowerment. “Perhaps,” Grant writes, “sex is just the ghost of freedom—but, until we have Utopia, it can speak eloquently of what the heart desires.”
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