Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Delbanco writes beautifully. . . . It’s hard to imagine a better eye than Delbanco’s through which to see another part of the world.”—Jody E. Carpenter, San Francisco Chronicle
Running in Place
Scenes from the South of France
By Nicholas Delbanco
Grove Press
978-0-8021-3809-5 • $13.00 • Paperback • July 2001
Travel Literature
Provence: Its magnificent landscape has inspired artists and writers for centuries. In this stunning evocation of Provençal culture and history, the critically lauded novelist and essayist Nicholas Delbanco captures both the immediacy of this changing region and the time-honored traditions of its past.

Born in England during the Second World War, raised in America, Delbanco spent many of the most important periods of his life in Provence. Ensconced in a farmhouse deep in the Alpes-Maritimes, writing books, he developed lasting friendships with his neighbors, including expatriate novelist James Baldwin. His narrative deals with the stages of age—from his first, carefree visits and an early love affair to his transformation into the “solid citizen” who imitates his parents while guiding his children through the streets.

In 1987 Delbanco returned to Provence with his family, planning “a sentimental journey to our early haunts. It is to be, I tell myself, a chance to travel with our daughters before we drift apart, a chance to share our past with them before it proves irrecoverable.” With the mind of a historian and the eye of an artist, Delbanco gracefully weaves strands of Provençal life into scenes from his own past and present.

In the precise, mellifluous language that prompted the Chicago Tribune Book World to call him “as fine a pure prose stylist as any writer living,” Delbanco provides a personal record of one of the world’s most fertile regions. He writes of the landscape of Petrarch and Laura, Cézanne and van Gogh, the Marquis de Sade and Albert Camus (“who made his home in Lourmarin because of the size of the sky”); of Provence’s thirty-two winds; and of aristocrat and peasant, cave and vineyard, restaurant and gallery, coal stoves and mimosa, cars and climbing roses, stone walls and bittersweet—describing a paradise still pure, but not immune to progress. This book will bear comparison to Hemingway’s account of France; it, too, is a moveable feast.

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