Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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Matterhorn by Karl Marlantes
 
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Riotous Assembly By Tom Sharpe

Indecent Exposure By Tom Sharpe
“Tom Sharpe masters a staggering range of effect, from the bawdy to the sublime.”—Sonja Bolle, Los Angeles Times Book Review
Porterhouse Blue
By Tom Sharpe
Atlantic Monthly Press
978-0-87113-279-6 • $14.95 • Paperback • Apr. 1989
Fiction
The basis of a PBS miniseries, Porterhouse Blue confirms that Tom Sharpe is “an excellent writer and absolutely hilarious. His characterizations are deft, his plots are brilliant, and his prose style is smooth and winning” (P.J. O’Rourke).

To Porterhouse College—bastion of a formidable crew team, lavish dining hall and wine cellar, and laughable academic standards—comes a crusading new Master. Porterhouse alumni believe in manly sports, the royal family, and brandy in the library with a fervor they bring to few intellectual positions. And the college upholds a long tradition of granting degrees to a certain number of muttonheaded young gentlemen of enviable pedigree and adequate family contribution to the school’s treasury.

The new Master, afire with liberal zeal, upsets everyone’s digestion with a speech outlining plans to do things that simply aren’t done: the admission of women, a cafeteria to replace the revered service of the kitchens, and contraceptive dispensers in every bathroom. The shock of the new and modern rattles even the college retainers. The head porter, Skullion, perhaps the staunchest supporter of the old way, rallies some powerful graduates to the cause, including the illustrious Canon Bowel and the madly wealthy—and plain mad—Sir Cathcart D’Eath. Their counterrevolutionary efforts result, among other peculiar events, in the most bizarre disaster seen at Cambridge in five hundred years, and in an escalation of threats, bluffs, and maneuvers to shame the shadiest of politicians. And the production of an investigative documentary on the strange doings at Porterhouse precipitates scandal of the highest order and an utterly unforeseeable conclusion.

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