Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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Peace Kills is war coverage in the great tradition of Catch 22 and M*A*S*H: Wars can be right or wrong, but they are always crazy and frightening in the center and might be uproarious around the edge. . . . P.J. O’Rourke [is] one of America’s funniest serious commentators. . . . His eye is sharp and his smirk is fixed firmly in place.” —John Gibson, The New York Post
Peace Kills
America's Fun New Imperialism
By P. J. O'Rourke
Grove Press
978-0-8021-4198-9 • $13.00 • Paperback • May 2005
Humor
From America’s most outrageous foreign correspondent, a no-holds-barred tour of the new world order

As the Los Angeles Times has hailed, “when it comes to scouting the world for world-class absurdities, P.J. O’Rourke is the right man for the job.” In his classic best-sellers, O’Rourke has reported from the front lines of world history, braving the bad traffic, weak drinks, and less than stellar golfing of countless hot spots of war, poverty, and repression. Now with his latest collection, Peace Kills, P.J. casts his ever-shrewd and mordant eye on America’s latest adventures in warfare. Imperialism has never been more fun.

To unravel the mysteries of war, O’Rourke first visits Kosovo to find out what happens when we try to have one without hurting anybody: “Wherever there’s injustice, oppression, and suffering, America will show up six months later and bomb the country next to where it’s happening.” He travels to Israel at the outbreak of the intifada. He flies to Egypt in the wake of the 9/11 terrorists’ attacks and contemplates bygone lunacies. “Why are the people in the Middle East so crazy? Here, at the pyramids, was an answer from the earliest days of civilization: People have always been crazy.” He covers the demonstrations and the denunciations of war. “French ideas, French beliefs, and French actions form a sort of lodestone for humanity. A moral compass needle needs a butt end. Wherever direction France is pointing—toward collaboration with Nazis, accommodation with communists, existentialism, Jerry Lewis, or a UN resolution veto—we can go the other way with a quiet conscience.” Finally he arrives in Baghdad with the U.S. Army and, standing in one of Saddam’s palaces, decides, “If a reason for invading Iraq was needed, felony interior decorating would have sufficed.”

Peace Kills is P. J. O’Rourke as both incisive reporter and absurdist, relevant and irreverent, with a clear eye for everyone’s confusion, including his own. O’Rourke understands that peace is sometimes one of the most troubling aspects of war.

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