Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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The Devil Tree By Jerzy Kosinski

Being There By Jerzy Kosinski

Cockpit By Jerzy Kosinski

Passion Play By Jerzy Kosinski

Blind Date By Jerzy Kosinski

Steps By Jerzy Kosinski

Pinball By Jerzy Kosinski

The Painted Bird By Jerzy Kosinski

Passing By By Jerzy Kosinski
Compiled by his late widow Kiki, Kosinski as Storyteller is the first time Jerzy Kosinski’s lectures, interviews,and transcribed media appearances have been collected; together, they add much insight into the mind of this brilliant controversial writer and his famous novels.

Oral Pleasure
Kosinski as Storyteller
By Jerzy Kosinski
978-0-8021-9401-5 • $27.50 • eBook • Dec. 2012
Kosinski as Storyteller is a collection of interviews, lectures, and tran­scriptions of media appearances of the legendary literary figure, Jerzy Kosinski. Compiled by his late widow, Kiki, most are published here for the first time. These texts reveal his extraordinary gifts as a storyteller and bring new insights into the themes in his works, making this strikingly erratic individual more accessible.

After a career clouded by controversy, these pieces provide a glimpse of the man behind the literature. His most famous novel, The Painted Bird (1965), is a dark masterpiece that examines the proximity of terror and savagery to inno­cence and love. Elie Wiesel called the work “one of the best” in Holocaust literature. In 1982, the praise was overshadowed by fierce accusations of pla­giarism from The Village Voice. The paper claimed it was written by another author and the scandal irreversibly tainted Kosinski’s literary career.

Grouped together in three main themes—literary, political, and cultural— the pieces cover different aspects of Kosinski’s eventful life. He expounds on the difficulties of writing under a totalitarian government and the importance of freedom of speech, then describes the English language as a filter that enabled him to write about the disturbing events in his youth and the fine line between fiction and autobiography. He discusses the prominent role sex plays in his writing and life as well as the philosophical importance of violence in his novels. It also includes his controversial statements on Jewish identity.

Kosinski was an insightful commentator and this collection reveals the brilliant storyteller behind the public figure.

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