Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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"In beautifully vivid writing, van den Brink describes the grace, ecstasy and agony of rowing, the miracle of its teamwork harmony." —Washington Post
On the Water
By H. M. van den van den Brink
Translated from the Dutch by Paul Vincent
Grove Press
978-0-8021-3895-8 • $11.00 • Paperback • May 2002
Fiction
"There is in these pages a kind of miracle of writing. If you doubt the power of language, the force of words used with precision, if you doubt that literature can still be written in the wake of history—then read On the Water." Le Figaro (France)

In the golden Amsterdam summer of 1939 on a crystal river in Holland, two young oarsmen train with a rather mysterious German coach. Anton, a shy teenager from a lower-class family, is paired with David, self-assured and affluent, and suddenly into Anton's drab life there is the river, boats, woods, the flash of sunlight on the copper oarlocks, and his strong, silent, almost amorous understanding of David. All summer, a quiet obsession and magical bond forms between them as the intensity of their training and competitions increases. Yet up ahead, the war looms, and the menace of tragedy to come is a nearly silent record whose faint music plays through strenuous training sessions and majestic afternoons on the water.

"Brilliantly written," applauds Denmark's major newspaper, Politiken."Your heart literally beats with these two boys as they struggle their way to their goal." But the goal was not to be, and on the wintry eve of Holland's liberation five years later, Anton stands on the banks of his beloved river and remembers the majestic summer he spent with David. The story is told with the past and present flipping back and forth like oars, from the prewar summer on the water in 1939 to the same city five years later, stripped of life by the war. Now the boathouse is derelict and deserted, and the river reflects only bombers roaring across the sky from England to Nazi Germany. David has long since disappeared, and the starving city is a cruel, shadowy reminder of what once was. Spare, lyrical, and affecting, On the Water has been published in seven countries to critical acclaim and was nominated for several prestigious awards. Its unforgettably eloquent voice moves as smoothly and easily as the very water from which it grew.

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