Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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“A sprawling, impressionistic memoir as roundabout as one of the author’s famous road trips. . . . A celebration of the hearty, sensual life.” —Bruce Barcott, The New York Times Book Review
Off to the Side
A Memoir
By Jim Harrison
Grove Press
978-0-8021-4030-2 • $16.00 • Paperback • Sep. 2003
Memoir
For nearly forty years Jim Harrison has been one of America’s most-beloved writers, a literary giant who has given us American classics like Dalva, Legends of the Fall, and The Road Home. And he is perhaps just as loved for the spirit from which he writes—devoted to the senses, staunchly unpretentious, and ever mindful of the dangers of straying too far from our origins. It is this spirit of which The Oregonian wrote, “The magic of writing as good as Harrison’s is that it can bridge the gulf of human separation.” Now, for the first time, Jim Harrison has put pen to paper to write about his own life—a life that he captures with a riveting directness and a delightful, resonant music.

In Off to the Side, Harrison writes about his upbringing in Michigan, the austerities of life amid the Depression and the Second World War, and the seemingly greater austerities of his starchy Swedish forebears, who have inspired so much of his writing. He traces his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admired—writers like Tom McGuane, Philip Caputo, Peter Matthiessen, Robert Lowell, W. H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg, among others.

Harrison writes forthrightly about the life-changing experience of becoming a father, and the minor cognitive dissonance when this boy from the “heartland” somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his “seven obsessions”—alcohol, France, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world—which he elucidates with earthy wisdom and an elegant sense of connectedness. He returns always to his love of literature—from his first awakenings to the power of writing in his teens, and his youthful decision to model himself on Rimbaud, to how books have remained his center, sustaining him during the darkest times of his life. Above all, he delivers a joyful, meditative, candid, and wise book that is a paean to the complex delights of life.

The London Sunday Times has written that Jim Harrison is “a writer with immortality in him.” Now, for the first time, the personal stories and unbridled enthusiasms that feed Harrison’s magisterial fiction are available to his readers. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings us all clues for living.
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