Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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The Gay Metropolis By Charles Kaiser
“A chatty, personal view of the pivotal time. . . . This account will bring back memories.” —Booklist
Nineteen Sixty-Eight in America
Music, Politics, Chaos, Counterculture, and the Shaping of a Generation
By Charles Kaiser
Grove Press
978-0-8021-3530-8 • $16.00 • Paperback • Oct. 1997
History (United States)
1968 in America is the tumultuous, comic, tragic, outrageous story of the year that changed a nation.

Nineteen sixty-eight has come to be recognized as the pivotal year in a period of nearly unprecedented change and upheaval—a year that witnessed the turning point of the Vietnam War and the Tet offensive; the shattering assassinations of Martin Luther King and Bobby Kennedy; the near-breakdown of the Democratic National Convention—and, some thought, of the American political system itself. It was also the year in which the disparate strands of a growing youth culture burst forth upon the national consciousness, manifesting itself in a variety of ways—from ground-breaking records by the Beatles, Aretha Franklin, Simon and Garfunkel, and the Rolling Stones; to an explosion of student and radical unrest unlike anything this country had ever seen.

Much has been written about the sixties, but no one has yet captured the mixture of heady exuberance and sheer desperation that characterized these twelve months. Now Charles Kaiser, former journalist for Newsweek and The New York Times and himself a member of the generation that was irrevocably transformed by 1968, has written a work that at once flawlessly recreates, celebrates, and demythologizes this much-eulogized time. Here is the first book to speak with equal conviction, and equal authority, about such diverse figures and concerns as Martin Luther King and Timothy Leary; Janis Joplin and Richard Daley; the reasons behind Lyndon Johnson’s refusal to run for reelection and those pushing Bob Dylan toward electric music; the impact on Vietnam of John Kennedy’s death and the way sex, drugs, and rock and roll became a generation’s bywords; the Columbia gymnasium as a catalyst for student revolt and the autodestruction of Eugene McCarthy’s presidential campaign.

Largely based on unpublished interviews and documents (including in-depth conversations with McCarthy and Dylan, among many others, and the late Theodore White’s archives, to which the author had sole access), with the honesty and directness that were sixties hallmarks and the compulsive readability of classic social history, 1968 in America is the definitive study of a year when nothing could be taken for granted, and when America suddenly found its comfortable assumptions put on trial.

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