Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Anthony Loyd’s gripping depiction of the depravity of war in Bosnia and Chechnya “places him into the great tradition of Hemingway, Caputo, and Michael Herr.” —The Boston Globe


My War Gone By, I Miss It So
By Anthony Loyd
978-0-8021-2232-2 • $17.00 • Paperback • Apr. 2014
Military History
“Battlefield reportage does not get more up close, gruesome, and personal. . . . The fear and confusion of battle are so vivid that in places, they rise like acrid smoke from the page.” —The New York Times

Born to a distinguished family steeped in military tradition, raised on stories of wartime and ancestral heroes, Anthony Loyd longed to experience war from the front lines. He left England at the age of twenty-six to document the conflict in Bosnia, and for the following years he witnessed the killings of one of the most callous and chaotic clashes on European soil. His harrowing account from the trenches shows humanity at its worst and best, through daily tragedies in city streets and mountain villages during Yugoslavia’s brutal dissolution. Addicted to the adrenaline of armed combat, he returned home to wage a longstanding personal battle against substance abuse. Shocking and violent, yet lyrical and ultimately redemptive, this book is a breathtaking feat of reportage and an uncompromising look at the terrifyingly seductive power of war.

“Loyd’s strongest writing is in his descriptions of carnage—of the sound and smell of shellfire; of the sexual release of blasting away with an automatic machine gun . . . This is pure war reporting . . . Loyd waxes eloquent on the backblast of his war time, a heroin addiction that begins before his arrival and becomes the only way he can survive his breaks from the fighting.” —Salon

“A testament to his honor and courage . . . [this] book shines with small truths and larger, philosophical ones about life and war.” —New York Post


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