Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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Blueprints of the Afterlife By Ryan Boudinot
“What starts out as a fairly standard story of teenagers taking themselves too seriously ends up being a funny and finely hewn examination of some serious concerns. There are the writerly ones, sure—the question of who owns the story, what can be trusted in any individual’s account. But Boudinot’s after something more universal: like how good intentions can lead to terrible endings.”—Time Out Chicago
Misconception
By Ryan Boudinot
Black Cat
978-0-8021-7065-1 • $14.00 • Paperback • Sep. 2009
Fiction
Ryan Boudinot’s story collection The Littlest Hitler was an Amazon.com and Publishers Weekly “Book of the Year” choice, and established him as one of the most promising talents of a new generation of American writers. With Misconception, Boudinot has delivered a startlingly original debut novel— on one hand a smart and provocative coming-of-age story, on the other a fresh and witty comment on the unreliability of memory and storytelling—that is sure to command attention. 
      
Cedar Rivers is on a strange errand. A doctor sidelined into the strange world of the first dot-com boom, he has come to Albany, New York, in between business in Iceland and home in Silicon Valley, to meet a woman he hasn’t seen in twenty years. Then a Chuck Taylor–shod proto-Goth with chipped black nail polish, Kat is now a literary up-and-comer who has summoned him to Albany to vet her memoir—an account of the summer they were sweethearts. As if that weren’t enough, she’s written parts of it from his point of view. Through an intense weekend in a snowed-in motel room, Cedar and Kat relive their most painful memories: Before they had a chance at first love, Kat’s mother and her new fiancé dragged Kat off on a family sailing trip. Kat returned with a secret, one which—when she shared it with Cedar—set off a series of drastically miscalculated assumptions that dominoed into a moment of startling tragedy. 
      
A tender, absurd, and heartbreaking novel about the unintended consequences of first love and bad judgment, Misconception slyly questions the way we narrate our memories and assign culpability. With a sharp eye for human foibles and a trenchant cleverness that dances off the page, Ryan Boudinot announces himself as a young writer who is here to stay.

Ryan Boudinot reading 'I Used to Be a Plastic Bottle!' at Literary Death Match Seattle

Literary Death Match Seattle, Ep. 1: Ryan Boudinot from Opium Magazine on Vimeo.







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