Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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“Must-reading for anyone who wants or who needs to understand what the film business is really all about.” —Martin A. Grove, The Hollywood Reporter
Memo from Darryl F. Zanuck
The Golden Years at Twentieth Century-Fox
By Rudy Behlmer
Grove Press
978-0-8021-3332-8 • $14.00 • Paperback • July 1995
Biography
One of Hollywood’s towering figures for almost half a century, Darryl F. Zanuck presided over Twentieth Century-Fox during its most glorious era, from 1935 to 1956. These were the golden days when stars like Marilyn Monroe, Henry Fonda, Betty Grable, Shirley Temple, Don Ameche, Gregory Peck, Tyrone Power, Carmen Miranda, and even Bette Davis roamed the lot; when such giants as John Ford, Joseph L. Mankiewicz, Elia Kazan, Nunnally Johnson, and Otto Preminger ruled the sets; and when such blockbusters as The Grapes of Wrath, All About Eve, The King and I, Miracle on 34th Street, The Day the Earth Stood Still, How Green Was My Valley, Laura, Twelve O’Clock High, and Viva Zapata! filled the screen.

Rudy Behlmer, whose now classic Memo from David O. Selznick was called “the most revealing, penetrating book on filmmaking I know” by director King Vidor, performs the same service for Zanuck in this first-time-ever collection of his personal correspondence to the directors, writers, actors, technicians, and studio executives who made the period magical. Here is a from-the-top, at-the-moment, insider’s look at the myriad elements that went into the production of a feature film during the colorful days of the old studio system, from the man who pulled it all together. And, like all important histories, Memo from Darryl F. Zanuck is equally revealing about the way things work today.

A treasure trove of legend and lore, insights and nostalgia, Memo From Darryl F. Zanuck is as entertaining as it is informative, and full of secrets and surprises. Illustrated with photographs as intimate and candid as the correspondence itself, it offers a chronicle of Hollywood’s most glamorous age and rich testimony to the taste, showmanship, and vision of its most resilient, efficient, and entertaining producer.
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