Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“In Sasa Stanisic’s bittersweet, musical novel about a boy growing up in Bosnia-Herzogovina before and during the war, many things happen that are impossible to understand, startlingly visual, bordering on the surreal but all too real. . . . This is a funny, heartbreaking, beautifully written novel.” —Mary Brennan, The Seattle Times 
How the Soldier Repairs the Gramophone
By Sasa Stanisic
Translated from the German by Anthea Bell
Grove Press
978-0-8021-4422-5 • $14.00 • Paperback • May 2009
Fiction
Heralded as a “sorcerer of narrative” (Foreign Policy) with an instinct for “poetic and intoxicating language” (Freie Presse), twenty-nine-year-old Sasa Stanisic bounded onto the international literary scene to great fanfare and acclaim. How the Soldier Repairs the Gramophone—the tale of a boy who experiences the war in Bosnia and finds the secret to survival in language and stories—was the only debut novel to be short-listed for the top literary prize when it was published in Germany, and indeed every page of this glittering, exuberant tale thrums with the joy of storytelling.

For young Aleksandar Krsmanovic, his grandfather Slavko’s credo—“the most valuable gift of all is invention, imagination is your greatest wealth”—endows life in Visegrad with a kaleidoscopic brilliance. Neighbors, friends, and family past and present take on a mythic quality; even the River Drina courses through town like the pulse of life itself. So when his grandfather dies suddenly—just as Carl Lewis races to the finish line on their television screen—Aleks calls on this gift of storytelling to see him through his loss and grief. It is a gift he will have to call on again when soldiers transform Visegrad—a town previously unconscious of racial and religious divides—into a nightmarish landscape of terror and violence.

Though Aleks and his family survive by fleeing to Germany, he is haunted by his past, and especially by Asija, the mysterious girl he tried to save. Desperate to learn of her fate, he sends manic, anguished letters out into the abyss, once again turning to language to conjure all that he’s had to forfeit—his homeland, his mother tongue, his innocence.
Beneath the infectious vibrancy of Stanisic’s voice is a sweetness and pathos that will haunt the reader long after the book ends. Powerful, vivid, funny, and devastating, How the Soldier Repairs the Gramophone captures the catastrophe of war through a child’s eyes and shows how words have the ability to mend what is broken and resurrect what is lost.

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