Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Young Skins by Colin Barrett
Young Skins


Winner of the 2014 Frank O’Connor International Short Story Award


“A stunning debut . . . The timeless nature of each story means this collection can—and will—be read many years from now.” —Sunday Times

“Exciting and stylistically adventurous.” —Colm Toibín
Turn of Mind by Alice LaPlante
Matterhorn by Karl Marlantes
 
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“[An] elegant collection . . . Windley’s writing is calm and at times hypnotic, and her prose rhythms paint pictures of their own; she knows how to create the restful quiet of gentle waves breaking on a beach. And her images, often occurring in the context of dreams, can be startlingly lovely.” —Moira Macdonald, The Seattle Times
Home Schooling
Stories
By Carol Windley
Grove Press
978-0-8021-4453-9 • $14.00 • Paperback • Mar. 2010
Fiction
Home Schooling—a mesmerizing collection in which “each story . . . is denser and more alive than many novels” (The Vancouver Sun)—marks the American debut of a mature, masterful storyteller who has won several major awards in her native Canada and been nominated for the Giller Prize.

Set against the moody landscape of Vancouver Island and the thrumming cities of the Pacific Northwest, the stories in Home Schooling uncover the hidden freight of families: in the title story, two sisters contend with their idealistic father’s sudden inability to provide for their family, and their own separate attraction to the same boy; in “What Saffi Knows,” a woman, now a mother herself, returns to a moment in her past when she held the knowledge that might have saved another child, but not the language with which to convey it; and in “Family in Black,” a young woman finds the contours of her world permanently changed when her mother suddenly abandons her father for a man who embodies everything her mother taught her to despise. In these stories, families dissolve and reform in new and startling configurations: ghosts appear, the past intrudes and overwhelms the present, familiar terrain takes on a hostile aspect, and happiness often depends on unlikely alliances.

With the invisibly perfect craftsmanship of Alice Munro, and the flesh-andblood sense of place of Annie Proulx, Carol Windley carves out territory all her own in these stories, each one a richly imagined and generous world that will stay with the reader for a long time.
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