Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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How the Hell Did This Happen? By P. J. O'Rourke

Thrown Under the Omnibus By P. J. O'Rourke

The Baby Boom By P. J. O'Rourke

Don't Vote It Just Encourages the Bastards By P. J. O'Rourke

Driving Like Crazy By P. J. O'Rourke

On The Wealth of Nations By P. J. O'Rourke

Peace Kills By P. J. O'Rourke

Give War a Chance By P. J. O'Rourke

Parliament of Whores By P. J. O'Rourke

The CEO of the Sofa By P. J. O'Rourke

Holidays in Hell By P. J. O'Rourke

Eat the Rich By P. J. O'Rourke

The Bachelor Home Companion By P. J. O'Rourke

Age and Guile Beat Youth, Innocence, and a Bad Haircut By P. J. O'Rourke

The Enemies List By P. J. O'Rourke

Republican Party Reptile By P. J. O'Rourke

All the Trouble in the World By P. J. O'Rourke

Modern Manners By P. J. O'Rourke
The follow-up to the classic Holidays in Hell, P. J. O’Rourke’s Holidays in Heck is the slightly less hazardous, slightly more mature, but still very funny collection of his classic travel pieces on China, Venice, and beyond.

Holidays in Heck
By P. J. O'Rourke
Grove Press
978-0-8021-4595-6 • $15.00 • Paperback • Nov. 2012
Humor
“[O’Rourke is] just as funny but also challenging himself when working outside of topicality. . . . a likable, brisk little brother to my favorite, 1988’s Holidays in Hell. . . . [T]his is my kind of O’Rourke: grouchy, quick and there to make you laugh.” —San Francisco Chronicle

“A prolific humorist continues his outpouring of solid writing. . . some very fine travel writing, the best of which is wickedly droll — O'Rourke at his very best. . . . Here's hoping there's another 15 books still to come.” —Los Angeles Times

P.J. O’Rourke is one of today’s most celebrated political humorists, and he has been hailed as “the funniest writer in America” by both Time and The Wall Street Journal. Two decades ago he published the classic travelogue Holidays in Hell, in which he traversed the globe on a fun-finding mission to what were then some of the most desperate places on the planet, including Warsaw, Managua, and Belfast.

Holidays in Heck begins after the Iraq War, when P.J. retired from being a war correspondent because he was “too old to keep being scared stiff and too stiff to keep sleeping on the ground.” Instead, he embarked on supposedly more comfortable and allegedly less dangerous travels—often with family in tow—which mostly left him wishing he were under artillery fire again.

The essays take O’Rourke on a whirlwind of adventures, beginning at the National Mall in Washington, which he describes as having been designed with the same amazing “greatest generation” aesthetic sensibility that informed his parents’ living room. We follow him as he takes his family on a ski vacation (to the Aspen of the Midwest—Ohio—where the highest point of elevation in the state is the six-foot ski instructor that his wife thinks is cute). And later he experiences a harrowing horseback ride across the mountains of Kyrgyzstan—no towns, no roads, no people, and, whoops, no P.J. in the saddle.

The result is a hilarious and often moving portrait of life in the fast lane—only this time as a husband and father.





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