Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Chad is a hilariously funny TV sports critic whose philosophy is that if something is worth doing, it’s worth doing to excess.” —Publishers Weekly
Hold On, Honey, I'll Take You to the Hospital at Halftime
Confessions of a TV Sports Junkie
By Norman Chad
Atlantic Monthly Press
978-0-87113-584-1 • $11.00 • Paperback • Oct. 1994
Humor
It started fifty years ago with a couple of baseball games. Then came pro football, basketball, hockey, more baseball, the Olympics, golf, bowling, stock car racing, skiing, tennis, volleyball, badminton, darts, and anything else producers could find to sell a few beers. Every man who hasn’t gone out into the woods to find his wild man is plunked down on the living room sofa in front of the twenty-seven-inch-diagonal screen.

Marriages crumble, family time disappears, hardbodies go to flab—TV sports are taking over the world.

Now, just in the nick of time, Norman Chad offers a hilarious, biting, and incisive look at television sports. First he takes to task the excesses of sports TV: too much viewing (and its effect on the home), too much college basketball, too much talk from announcers, too much figure skating, too many replays, and too many jock analysts—not to mention the biggest, loudest personalities bringing us the games: Dick Vitale, Chris Berman, Tim McCarver, and John Madden. Next, he poses some questions: What’s wrong with “Monday Night Football,” and how can we fix it? What’s it like to watch twenty-four consecutive hours of ESPN? What’s with the explosion of all-sports radio, and how can we stop it? Does golf really need to be televised? Finally, Chad offers a few radical solutions—eliminating all jock analysts, for instance, or simply announcing games yourself from the home—and then concludes that the only answer just may be complete abstinence from all sports viewing.

Hold On, Honey, I’ll Take You to the Hospital at Halftime is the first book to take a humorous look at the hugely popular phenomenon of TV sports and is certain to appeal to all armchair quarterbacks—as well as to all wives who would like to turn off the tube and get their husbands to rake the yard.

Excerpt:

“It was 58 degrees outside, winds south-southwest at five to ten miles per hour, with the sun darting delightfully between partly cloudy skies. It was a mild winter’s weekend of so many wonderful possibilities, from biking and hiking to walking and talking to perhaps just exploring the recesses of an ever-dulling mind.

“So I watched television.

“It was 68 degrees inside, a slight breeze coming out of the top of the microwave, with the living color radiating off the screen toward my pale, prone body. Clicker in hand, I went from boxing to bowling, from hockey to hoops, from recliner to refrigerator.

“There was nothing to watch, there was everything to watch.

“Question: Is there too much sports on television?

“Answer: Let me get back to you on that one at the first TV time-out.

“So there I sat, hour after hour, virtually paralyzed save for my right arm’s sweeping, rhythmic motion between M&Ms and mouth. If they air it, I will watch it. By mid-afternoon Sunday, I thought I heard the faint, familiar voice of my wife from upstairs, only to recollect that she had left several years earlier.”

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