Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“Harry keenly observes his family’s disintegration and wonders about his own. . . . Hide & Seek has poignancy. . . . Reads with compelling tension.” —Dorothy Clark, Boston Globe

Hide & Seek
A Novel
By Clare Sambrook
Canongate U.S.
978-1-84195-793-7 • $13.00 • Paperback • July 2006
Fiction
An emotionally taut, compelling, and suspenseful debut novel revolving around a nine-year-old boy who is forced to confront the confusing, complicated world of adults after his kid brother vanishes during a school outing

Meet Harry Pickles, the fastest boy in the world (well, at least in school), big brother to Daniel (who runs like a girl but is, in his own twerpy way, a star), and the firstborn son of Mo and Pa, the best-looking parents in their Notting Hill elementary school parking lot. Harry’s life, like any other nine-year-old’s, is a colorful, frenetic, and fun blur of lunch boxes, vocabulary tests, and keeping up with his pals Piggy and Terry—not to mention keeping an eye on his kid brother Daniel.

Mo, a successful, well-known journalist, and Pa, a surgeon, have built a wonderful world for Harry and Daniel to grow up in, but when a school outing results in Daniel’s vanishing, the complicated adult world of police investigations and interviews, searches of the countryside, recriminations, and ultimate responsibility comes crashing in on a very confused Harry.

Told with an utterly compelling and exuberant sense of truth in a harrowing situation, Hide & Seek is a fresh debut of remarkable compassion, tense mystery, disarming humor, and emotional clarity. Clare Sambrook’s exceptional debut novel should find its place alongside other recent achievements in literary fiction such as The Lovely Bones, The Curious Incident of the Dog in the Night-Time, and The Deep End of the Ocean.

An interview with Clare Sambrook:

How did you come to fiction writing?
After Cambridge University I headed for journalism with naive ideas about whipping the bad guys and springing innocent people from prison. I walked straight into the press release culture. That’s how journalists worked. I escaped it, eventually, and went freelance to investigate big gambling’s assault on Britain, exposing the business catastrophes of our lottery regulator. I’ve co-authored a book on sleaze in the Olympics, the Salt Lake City scandal, and all that.

Five years ago I started all over again learning how to write. I took classes, kept a notebook, wrote short stories, read critically . . . J. D. Salinger, Joseph Heller, F. Scott Fitzgerald, Wendy Wasserstein, Laurie Lee, Derek Walcott, Ted Hughes, Stephen King, Chekhov, Elmore Leonard, Anne Tyler . . . diverse stuff. I tried to figure out how it worked.

Then, I took a bus trip. After a nap I woke up to discover that a child had gone missing. Left behind, all alone, in the dark. Adults paled. Kids came up with rescue plans. That was the start of Hide & Seek.

Did you find yourself influenced by any writers when working on this novel?
The influences I know about are Harper Lee, J. D. Salinger, Anne Tyler. Bill Watterson, too. And Lou Reed, something in the mood of “My Friend George.” When I was in the swing of writing I shielded myself from direct influence. I read only Elmore Leonard because his world is about as far from Hide & Seek’s as it’s possible to be, and because, if anything rubbed off, I hoped it might be something to do with dialogue.
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