Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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The White Van by Patrick Hoffman
The White Van

Gritty, exhilarating . . . The White Van, with its quick and scary turns, provides a hell of a ride; the action never stops—even after the final page.”
The Wall Street Journal

Outstanding . . . Hoffman writes with great authority”
Publisher's Weekly
(starred review)
An Unnecessary Woman
Full Service by Scotty Bowers
 
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“[A] panoramic history . . . Gill blends high-density research, political and cultural sophistication, and narrative drive to produce an epic worthy of its fabled subject.” —Edward Kosner, The Wall Street Journal

Harlem
The Four Hundred Year History from Dutch Village to Capital of Black America
By Jonathan Gill
Grove Press
978-0-8021-4574-1 • $20.00 • Paperback • Feb. 2012
History (United States)
“Comprehensive and compassionate—an essential text of American history and culture.” —Kirkus Reviews (starred review)

Harlem is perhaps the most famous, iconic neighborhood in the United States. A bastion of freedom and the capital of Black America, Harlem’s twentieth-century renaissance changed our arts, culture, and politics forever. But this is only one of the many chapters in a wonderfully rich and varied history. Jonathan Gill’s Harlem is a groundbreaking history, the first to present the complete chronicle of this remarkable place.

From Henry Hudson’s first contact with native Harlemites on the island they called Mannahatta, through Harlem’s years as a colonial outpost at the edge of the known world, Gill traces the neighborhood’s story, marshaling a tremendous wealth of detail and a host of fascinating figures. Harlem was an agricultural center under British rule, the site of a key early Revolutionary War battle, and later a bucolic site for the great estates of wealthy elites like Alexander Hamilton, Aaron Burr, and John James Audubon, who all sought respite from the epidemics raging downtown. In the nineteenth century, improved transportation brought urbanization as well as waves of immigrants:

Harlem is central to the American experience of Germans, Jews, Italians, Irish, West Indians, Puerto Ricans, and, later, Dominicans and West Africans. Harlem’s mix of cultures, races, religions, extraordinary wealth and refinement, and extreme poverty and violent crime has been both electrifying and explosive. Jazz, the musical, the American songbook, hip-hop, and some of the bravest voices in American literature found their home in Harlem. So, too, did street-corner preachers, racial demagogues, and civil rights pioneers.

Like Russell Shorto’s The Island at the Center of the World and Edwin G. Burrows and Mike Wallace’s Gotham, Jonathan Gill’s history will delight readers interested in early New York and will be read for years to come, but its unique focus on the incomparable Harlem sets it apart.

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