Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
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Meantime By Katharine Noel
“Arresting debut novel…is an eloquent literary performance…A richly imagined and deeply felt portrait …Tremendous subtlety…Noel’s finely wrought world of loneliness and fear, the pleasures of connection and the ferocity and unpredictability of mental illness, has its own quiet power….Memorable first novel with a uniquely powerful grace.” —Laura Ciolkowski, The Boston Globe
Halfway House
A Novel
By Katharine Noel
Grove Press
978-0-8021-4291-7 • $13.00 • Paperback • Mar. 2007
Fiction
Met with overwhelming critical praise on its initial hardcover release— including raves from The New York Times and Entertainment Weekly— this remarkable debut novel by Katharine Noel illuminates the fault lines in one family’s relationships, as well as the complex
emotional ties that bind them together.

One day, Angie Voorster—diligent student, all-star swimmer and Ivy League– bound high school senior—dives to the bottom of a pool and stays there. In that moment, everything the Voorster family believes they know about each other changes.

Set in a small town in New Hampshire, Halfway House is the story of Angie’s psychotic break and her family’s subsequent turmoil. Angie is a charismatic young woman—brilliant, witty, and passionate—until she swings to manic highs and dangerous lows. Each of her family members responds differently to the ongoing crisis: Her father Pieter, a Dutch-born professional cellist, retreats further into his career. Her mother begins a destabilizing affair with a younger man. Her little brother, Luke, first distances himself as much as possible from his sister, then later drops out of college to be closer to her. And Luke’s college girlfriend, Wendy, who comes from a farming town in Iowa, provides an outsider’s perspective on the
family’s teeter toward collapse. The Voorsters manage for a time to maintain a semblance of the normalcy they had “before,” when they were the ideal New England family; it is not until Angie is finally able to fend for herself that the family is able to truly fall apart and then regather itself in a new, fundamentally changed way.

With grace and precision rarely seen in a first novel, Noel guides the reader through a world where love is imperfect, and where longing for an imagined ideal can both destroy one family’s happiness and offer it redemption. Halfway House introduces a powerful, eloquent new literary voice.
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