Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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“In this shocking exposé, Bowers finally reveals his sexual liaisons with the rich and famous, sparing no details along the way. . . . Bowers has no regrets—having led a life of pleasure, satisfaction and joy that the rest of us can only envy.”—The New York Post


Full Service
My Adventures in Hollywood and the Secret Sex Lives of the Stars
By Scotty Bowers
Grove Press
978-0-8021-2055-7 • $16.00 • Paperback • Feb. 2013
Memoir

“[Scotty Bowers] has become a mythic figure in Hollywood’s gay subculture. . . . Bowers documents his encounters with great specificity—including Walter Pidgeon’s proclivities—and takes the reader inside some of the most fascinating “scenes” of the period.” —Daily Variety

Full Service

Cary Grant, Rock Hudson, George Cukor, Katharine Hepburn and Vivien Leigh are among those named by Bowers, now 88. . . . Younger readers—at least those raised in the Internet and TMZ age—may find nearly as shocking the fact that the stories were squelched by studio publicists and remained largely under wraps back in the day.” —Chicago Tribune

 “[If] you’re looking for an unvarnished account of the closeted shenanigans of Hollywood’s Golden Age—and a good trashy read at the same time—then Full Service is the full enchilada.” —Los Angeles Times

“[Full Service] reads more like a historical document, the Kinsey report on the sex lives of the rich and famous. . . . there’s also a sad irony in [Bowers’s] story. Many of the actors mentioned in his book established the basis for what was for decades considered normal: cookie-cutter, heterosexual marriage. As a reader, it makes you cringe—if all these celebrities hadn’t pretended to be something they were not, would generations of gay teenagers have struggled as much with their identities? Would we even be debating gay marriage today?” —The Daily Beast

“I have known Scotty Bowers for the better part of a century. I’m so pleased that he has finally decided to tell his story to the world. His startling memoir includes great figures like Spencer Tracy and Katharine Hepburn. Scotty doesn’t lie—the stars sometimes do—and he knows everybody.” —Gore Vidal

“Juicy . . . titillating . . . chatty, affable . . . never less than entertaining.” —The Philadelphia Inquirer

Full Service claims old Hollywood was seriously kinky—our investigation suggests it’s all true . . . Sensational.” —LA Weekly

Scotty taking questions at a Book Soup reading in LA



 “A jaw-dropping firsthand account of closeted life in Hollywood during the ’40s and ’50s. The wholesome image of the postwar American family was acted, written, directed, and designed by people for whom such a life was never possible and Bowers writes about their pain and brilliance with the childlike wonder of Chauncey Gardiner. Turner Classic Movies will never quite look the same.” —Griffin Dunne, Actor/Director

“This is juicy, juicy stuff— but just as importantly, it’s a seminal chapter of American popular culture that gives us a richer understanding of the people, times, and culture of Hollywood’s Golden Age.” —William J. Mann, author of Kate: The Woman Who Was Hepburn

[Full Service] is about to blow the door off of the Hollywood Closet. . . . Escandalo!” —Seattle Gay Scene

The Scotty I knew was a guy who always seemed to be enjoying his life working morning, noon and night, with never a gripe; always with a smile to greet you, and never with an axe to grind. After a lifetime in Hollywood, that’s a remarkable feat and its own kind of Zen.” —David Patrick Columbia, New York Social Diary

“None of us are ready for what appears to be the kickass Old Hollywood memoir of 2012: Scotty Bowers’s Full Service.” —AfterElton.com

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