Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Neither Snow Nor Rain
Neither Snow nor Rain

“Lively . . .
brisk [and] informative . . .
A spirited look at the business and impact of
delivery mail.”
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“A fast-moving, richly detailed portrait of the U.S. Postal Service—a system far more important to the country than is generally understood.”
—Brad Stone, author of
The Everything Store

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Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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The Lone Ranger and Tonto Fistfight in Heaven By Sherman Alexie

Blasphemy By Sherman Alexie

War Dances By Sherman Alexie

Indian Killer By Sherman Alexie

Reservation Blues By Sherman Alexie

Ten Little Indians By Sherman Alexie

The Toughest Indian in the World By Sherman Alexie
“Gutsy . . . Alexie has established an impressive literary reputation as a bold writer who goes straight for the aorta. He is in the business of making his readers laugh and cry. And his most recent novel is no exception. . . . Right up to the novel’s final sentence, Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes.” —S. Kirk Walsh, The New York Times
Flight
By Sherman Alexie
Black Cat
978-0-8021-7037-8 • $16.00 • Paperback • Apr. 2007
Fiction
Sherman Alexie’s first novel in ten years is the hilarious and tragic portrait of an orphaned Indian boy who travels back and forth through time in a violent search for his true identity.

Sherman Alexie is one of our most gifted and accomplished storytellers and a treasured writer of huge national stature. His first novel since Indian Killer is a powerful, fast, and timely story of a troubled foster teenager—a boy who is not a “legal” Indian because he was never claimed by his father—who learns the true meaning of terror.

The journey for this young hero begins as he’s about to commit a massive act of violence. At the moment of decision, he finds himself shot back through time and resurfaced in the body of an FBI agent during the civil rights era. Here he will be forced to see just why “Hell is Red River, Idaho, in the 1970s.” Red River is only the first stop in a shocking sojourn through moments of violence in American history. He will continue traveling back to inhabit the body of an Indian child during the battle at Little Bighorn and then ride with an Indian tracker in the nineteenth century before materializing as an airline pilot jetting through the skies today. During these frantic trips through time, his refrain grows: “Who’s to judge?” and “I don’t understand humans.” When finally, blessedly, our young warrior comes to rest again in his own contemporary body, he is mightily transformed by all he’s seen.

This is Sherman Alexie at his most brilliant—making us laugh while he’s breaking our hearts. Time Out has said that “Alexie, like his characters, is on a modern-day vision quest,” and this has never been clearer than in Flight, where he seeks nothing less than an understanding of why human beings hate. Simultaneously wrenching and deeply humorous, wholly contemporary yet steeped in American history, Flight is irrepressible, fearless, and groundbreaking Alexie.
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