Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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A Killing in This Town By Olympia Vernon

Logic By Olympia Vernon
“Daring [and] explosively supernatural. . . . [Eden is] a startling reminder of how forceful Southern magic can be.” —The New York Times Book Review
Eden
By Olympia Vernon
Grove Press
978-0-8021-4040-1 • $12.00 • Paperback • Feb. 2004
Fiction
A fearless and wildly original debut, a powerhouse of a novel that explodes on the first page and sustains a tightrope intensity until the last

When fourteen-year-old Maddy Dangerfield draws a naked woman on the pages of Genesis in fire-engine-red lipstick during Sunday school, the rural black community of Pyke County, Mississippi, is scandalized. Her mother, mortified by the small-town gossip and determined to teach Maddy the perils of her youthful intelligence, forces her from then on to spend weekends caring for her estranged Aunt Pip, an outcast who lives on the wrong side of town and is dying of cancer. The lessons Maddy learns are ones that could not be taught in any church.

Shuttling between the home she shares with her parents—endlessly locked in a cycle of resentment, violence, and only sporadic tenderness—and the house of tough, strong-minded Aunt Pip out on Commitment Road, Maddy feels her eyes gradually opening to the complicated dynamics that inform her world. As the once self-possessed, fiery Pip wastes away in body and spirit, Maddy is forced to confront the brutal finality of death and to contend with the ghosts that hover over Pyke County—the violated body of Laurel Pillar, a young white girl raped in the field years before; Uncle Sugar, the black man said to have Laurel’s blood on his hands, in prison for life; Justice Bates, Sugar’s alleged accomplice, his broken body strung up and hanging from a tree; and the community of dead and dying women who have been ravaged by disease, in whom Maddy finds a terrible sort of comfort.

In lush, vivid brush strokes, Olympia Vernon conjures a world that is both intoxicating and cruel, and illuminates the bittersweet transformation of the young girl who must bear the burden and blessing of its secrets too soon. Eden is a haunting, memorable novel propelled by the poetry and power of a voice that is complex, lyrical, and utterly true.
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