Grove Press is a hardcover and paperback imprint of Grove Atlantic, Inc. Grove Press was founded on Grove Street in New York’s Greenwich Village in 1947. But its true beginning came in 1951 when twenty-eight-year-old Barney Rossett, Jr. bought the company and turned it into one of the most influential publishers of the 1950s, 60s, and 70s. From the outset, Rossett took chances: Grove published many of the Beats including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. In addition, Grove Press became the preeminent publisher of twentieth-century drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, David Mamet (Pulitzer Prize for Drama 1984), Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press also introduced to American audiences the work of international authors such as Jorge Luis Borges, Mikhail Bulgakov, Marguerite Duras, Jean Genet, Pablo Neruda, Octavio Paz (Nobel Prize for Literature 1990), Kenzaburo Oe (Nobel Prize for Literature 1994), Elfriede Jelinek (Nobel Prize for Literature 2004), Alain Robbe-Grillet, and Juan Rulfo. In the late 1950s and early 1960s, Barney Rossett challenged the obscenity laws by publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry Miller’s Tropic of Cancer. His landmark court victories changed the American cultural landscape. Grove Press went on to publish literary erotic classics like The Story of O and ground-breaking gay fiction like John Rechy’s City of Night, as well as the works of the Marquis de Sade. On the political front, Grove Press published classics that include Franz Fanon’s The Wretched of the Earth, The Autobiography of Malcolm X, and Che Guevara’s The Bolivian Diary, among many other titles. In 1986, Barney Rosset sold the company and the press became part of Grove Weidenfeld. In 1993 that company was merged with Atlantic Monthly Press to form Grove Atlantic, Inc.

Since 1993, Grove Press has been both a hardcover and paperback imprint of Grove Atlantic publishing fiction, drama, poetry, literature in translation, and general nonfiction. Authors and titles include Jon Lee Anderson’s Che Guevara: A Revolutionary Life, Robert Olen Butler’s A Good Scent from a Strange Mountain (Pulitzer Prize for Literature 1993), Kiran Desai’s Inheritance of Loss (Man Booker Prize 2006), Richard Flanagan’s Gould’s Book of Fish (Commonwealth Prize 2002), Ismail Kadare’s The Siege, Jerzy Kosinski’s Steps (National Book Award 1969), Jacqueline Susann’s Valley of the Dolls, Nick McDonell’s Twelve, Catherine Millet’s The Sexual Life of Catherine M., Pascal Mercier’s Night Train to Lisbon, Kay Ryan (Poet Laureate of the United States 2008/9) as well as Antonio Lobo Antunes, Will Self, Barry Hannah, Terry Southern, and many others.

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Barry Hannah Long, Last, Happy
Long, Last, Happy

“Barry Hannah is the best fiction writer to appear in the South since Flannery O’Connor.”
Larry Mcmurtry

“Barry Hannah is an original, and one of the most consistently exciting writers of the post-Faulkner generation.”
William Styron, Salon

Click here for more on Barry Hannah and Long, Last, Happy
Forty Thieves by Thomas Perry
Matterhorn by Karl Marlantes
 
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The Magic of Blood By Dagoberto Gilb
A raw, honest, and personal new collection of stories from acclaimed storyteller Dagoberto Gilb, “an important voice in American fiction” (Annie Proulx)

Before the End, After the Beginning
Stories
By Dagoberto Gilb
Grove Press
978-0-8021-4599-4 • $14.00 • Paperback • Nov. 2012
Fiction
Before the End, After the Beginning is an exquisite collection of ten stories by Dagoberto Gilb. The pieces come in the wake of a stroke Gilb suffered at his home in Austin, Texas, in 2009, and a majority of the stories were written over his many months of recovery. The result is a powerful and triumphant book that tackles common themes of existence and identity and describes the American experience in a raw, authentic vernacular unique to Gilb.

These ten stories take readers through the American Southwest, from Los Angeles and Albuquerque to El Paso and Austin. Gilb covers territory touched on in some of his earlier work—a mother and son’s relationship in Southern California in the story “Uncle Rock,” and a character looking to shed his mixed-up past in “The Last Time I Saw Junior”—while dealing with the themes of mortality and limitation that have arose during his own illness. The collection’s most personal story, “please, thank you,” focuses on a man who has been hospitalized with a stroke, and paints in detail the protagonist’s relationship with his children and the nurses who care for him. The final story, “Hacia Teotitlán,” looks at a man, now old, returning to Mexico and considering his life and imminent death.

Short stories are the perfect medium for Gilb, an accomplished storyteller whose debut collection, The Magic of Blood, won the prestigious PEN/ Hemingway Foundation Award for fiction in 1994. Before the End, After the Beginning proves that Gilb has lost none of his gifts, and that this may be his most extraordinary achievement to date.

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